![Jane Eyre [Blu-ray]](https://m.media-amazon.com/images/I/81KLgwAeWrL._AC_SL3840_.jpg)

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When orphaned governess Jane Eyre (Mia Wasikowska) arrives at imposing Thornfield Hall, she's intrigued by her brooding wealthy employer, Rochester (Michael Fassbender). His dark moods and the strange occurrences in the house lead her to discover a terrible secret that he had hoped to hide from her forever. Review: One of the best adaptations of Jane Eyre - (Review originally posted at ReadBreatheRelax.com) This movie is visually stunning and emotionally powerful. I was transfixed, as Mr. Rochester would say. The scenes are lush- rolling hills, fiery susets, finely-manicured gardens. It's all so beautiful. And it contrasts well with the sparse joy and pleasure that Jane experiences in her life. She faces cruelty at the hands of her aunt and at the boarding school that she attends later. Then Jane takes the position as governess at Thornfield, the home of Mr. Rochester, and she finally finds independence, happiness and love. As far as the book goes- it has been several years since I read it (we're talking middle school), but it all seemed to match up. If there were any key elements left out, I didn't notice. I really enjoyed the narrative style of the movie, too. It began sort of near the end of the story and worked it's way back, which was a refreshing take of this classic that's been told and re-told many times before. There was one tiny detail missing at the end, but I can't mention it as it is kind of a spoiler. If you want to know what it is, please leave a comment, and I'll be glad to fill you in privately! One lady in the theater even shouted out the missing detail after the movie was over: "Where's `XYZ'? What happened to it??" She was clearly irate as well as elderly, so she got away it with being a little crazy. Probably my favorite part of the whole movie is the emphasis on Jane's difference from those around her and how she is very unlike other women. The book pointed out heavily that she was extremely plain as well as poor and had a fey-like quality. She longs for independence and freedom from the harsh environment where she grew up. It's an empowering story, especially for women during that time period. I love strong women, and I see that in the small, reserved person of Jane Eyre. OVERALL I bought this movie the day it was released. It's beautiful and moving and deeply romantic. A great way to experience the novel. Review: Awesome - **possible spoiler alert, but really, who doesn't know Jane Eyre?** I have read, studied, and loved Jane Eyre (the novel, and the BBC miniseries with Toby Stephens) for years, and was hesitant to watch this, as all people are who love the novel. But honestly? I loved it. I thought the filmmakers did an awesome job of condensing a complex story into a 2 hour film. I enjoyed the way much of Jane's childhood was told through flashbacks while she was with the St.Johns; I thought it was a great way to work in those necessary details without spending too long on them and letting the audience get to the good stuff, ie: Rochester and Jane. Michael Fassbender is a fantastic Rochester. He's broody, quietly funny, goading, maybe a little bit dangerous, passionate, and just lovely. Fassbender pulls it off with aplomb. Mia Wasikowska is a brilliant Jane Eyre, and so is the actress who played Jane at Lowood School. The scenes between Jane and Rochester (especially the proposal scene when Jane declares herself Rochester's equal) is pivotal in the novel and can be tricky to get right without being melodramatic, but I thought it was well done in the film; although, I was waiting for the lightning to strike the tree, which disappointingly didn't happen. I once wrote a paper on how Jane represented Rochester's chance at redemption for his sins against Antoinette (read Wide Sargasso Sea if you want to know why Rochester's wife isn't named Bertha), and was pleased that several of Rochester's lines supported that theme. I appreciate it when films can stay true not only to the plot of a novel, but the meanings behind the action as well. The cinematography was beautiful, the music appropriately haunting and dramatic without being overly done. The BBC version will still be my favorite, mostly because it's a miniseries and is able to tell the story more completely than the traditional two-hour format for films, but this version is one of the best I've seen, and far better than I was expecting. Well done and highly recommended.
| ASIN | B0053Q9DQI |
| Actors | Jamie Bell, Judi Dench, Mia Wasikowska, Michael Fassbender |
| Aspect Ratio | 1.85:1 |
| Best Sellers Rank | #11,306 in Movies & TV ( See Top 100 in Movies & TV ) #1,336 in Drama Blu-ray Discs |
| Customer Reviews | 4.7 4.7 out of 5 stars (5,852) |
| Dubbed: | Spanish |
| Is Discontinued By Manufacturer | No |
| Language | English (DTS-HD Master Audio 5.1), Spanish (DTS 5.1) |
| MPAA rating | PG-13 (Parents Strongly Cautioned) |
| Media Format | AC-3, Blu-ray, DTS Surround Sound, Dolby, Dubbed, Multiple Formats, NTSC, Subtitled, Widescreen |
| Number of discs | 1 |
| Product Dimensions | 0.7 x 7.5 x 5.4 inches; 2.4 ounces |
| Release date | July 4, 2017 |
| Run time | 2 hours and 1 minute |
| Studio | Universal Pictures Home Entertainment |
| Subtitles: | French, Spanish |
U**A
One of the best adaptations of Jane Eyre
(Review originally posted at ReadBreatheRelax.com) This movie is visually stunning and emotionally powerful. I was transfixed, as Mr. Rochester would say. The scenes are lush- rolling hills, fiery susets, finely-manicured gardens. It's all so beautiful. And it contrasts well with the sparse joy and pleasure that Jane experiences in her life. She faces cruelty at the hands of her aunt and at the boarding school that she attends later. Then Jane takes the position as governess at Thornfield, the home of Mr. Rochester, and she finally finds independence, happiness and love. As far as the book goes- it has been several years since I read it (we're talking middle school), but it all seemed to match up. If there were any key elements left out, I didn't notice. I really enjoyed the narrative style of the movie, too. It began sort of near the end of the story and worked it's way back, which was a refreshing take of this classic that's been told and re-told many times before. There was one tiny detail missing at the end, but I can't mention it as it is kind of a spoiler. If you want to know what it is, please leave a comment, and I'll be glad to fill you in privately! One lady in the theater even shouted out the missing detail after the movie was over: "Where's `XYZ'? What happened to it??" She was clearly irate as well as elderly, so she got away it with being a little crazy. Probably my favorite part of the whole movie is the emphasis on Jane's difference from those around her and how she is very unlike other women. The book pointed out heavily that she was extremely plain as well as poor and had a fey-like quality. She longs for independence and freedom from the harsh environment where she grew up. It's an empowering story, especially for women during that time period. I love strong women, and I see that in the small, reserved person of Jane Eyre. OVERALL I bought this movie the day it was released. It's beautiful and moving and deeply romantic. A great way to experience the novel.
A**R
Awesome
**possible spoiler alert, but really, who doesn't know Jane Eyre?** I have read, studied, and loved Jane Eyre (the novel, and the BBC miniseries with Toby Stephens) for years, and was hesitant to watch this, as all people are who love the novel. But honestly? I loved it. I thought the filmmakers did an awesome job of condensing a complex story into a 2 hour film. I enjoyed the way much of Jane's childhood was told through flashbacks while she was with the St.Johns; I thought it was a great way to work in those necessary details without spending too long on them and letting the audience get to the good stuff, ie: Rochester and Jane. Michael Fassbender is a fantastic Rochester. He's broody, quietly funny, goading, maybe a little bit dangerous, passionate, and just lovely. Fassbender pulls it off with aplomb. Mia Wasikowska is a brilliant Jane Eyre, and so is the actress who played Jane at Lowood School. The scenes between Jane and Rochester (especially the proposal scene when Jane declares herself Rochester's equal) is pivotal in the novel and can be tricky to get right without being melodramatic, but I thought it was well done in the film; although, I was waiting for the lightning to strike the tree, which disappointingly didn't happen. I once wrote a paper on how Jane represented Rochester's chance at redemption for his sins against Antoinette (read Wide Sargasso Sea if you want to know why Rochester's wife isn't named Bertha), and was pleased that several of Rochester's lines supported that theme. I appreciate it when films can stay true not only to the plot of a novel, but the meanings behind the action as well. The cinematography was beautiful, the music appropriately haunting and dramatic without being overly done. The BBC version will still be my favorite, mostly because it's a miniseries and is able to tell the story more completely than the traditional two-hour format for films, but this version is one of the best I've seen, and far better than I was expecting. Well done and highly recommended.
M**N
Donโt miss out on this film
Incredible film! Iโve watched it several times
T**N
Der Regiesseur Cary Fukanaga hat einen Traum vieler Jane Eyre-Liebhaberinnen erfรผllt und den Klassiker aus der Feder der englischen Pfarrerstochter Charlotte Bronte (" Jane Eyre: Eine Autobiographie. Roman ") in Kinoformat verfilmt. Dabei hat er fรผr die standhafte und fรผr ihr Alter beeindruckend charakterfeste Heldin die Idealbesetzung gefunden. Wer von Mia Wasikowska in Tim Burtons Verfilmung von " Alice im Wunderland " begeistert war, wird sie als Jane Eyre lieben. Auch der Michael Fassbender (" Angel - Ein Leben wie im Traum ") ist eine gute Wahl um den ambivalenten Charakter eines Mr. Rochester von Thornfield Hall zum Glรคnzen zu bringen. Die Stimmung dieser finster-dramatischen Romanze aus dem 19. Jahrhundert wurde in Bild und Ton ganz wundervoll eingefangen und Kenner der Literaturvorlage werden ohne Zweifel von dieser Filmadaption beeindruckt sein. Ob jedoch tatsรคchlich der Wunsch des Regisseurs, auch all diejenigen Zuschauer zu begeistern, die vormals noch nie etwas von Jane Eyre gehรถrt und gesehen haben, darf dann doch etwas bezweifelt werden. Diese Spielfilmversion hat den ehrenhaften Anspruch, alle wesentlichen Merkmale der Vorlage zu zeigen und รผberfordert damit den unbedarften Zuschauer, der von der Wucht der komplexen Geschichte getroffen wird. Falls er jedoch dadurch animiert werden sollte, sich intensiver mit Jane Eyre auseinanderzusetzen, hat dieser Film doch sein Ziel getroffen und Herzen erreicht. Mit Sinn fรผr Dramatik setzt der Ausgangspunkt des Films bei der dramatischen Flucht einer jungen Frau ein, die einsam und verzweifelt den rauen Elementen ausgesetzt ist, als sie durch die wilde Landschaft Nordenglands zieht. Der Abend geht bereits in die Nacht รผber, als die der heimkehrende Pfarrer St. John halbtot auf den Stufen seines abgelegenen Hauses findet, welches er mit seinen zwei liebevollen Schwestern bewohnt. Neugierig und besorgt wird die Gerettete mit Fragen nach Namen und Herkunft bestรผrmt und genauso gespannt ist auch der Zuschauer auf die Geschichte von Jane, die von da an in Rรผckblenden geschildert wird. Obwohl Jane als ungeliebtes Waisenkind bisher kaum Gutes in ihrem Leben erfahren hat, hat sie einen enormen Lebenswillen und ist davon รผberzeugt, dass sie es wert ist, geliebt und angenommen zu werden. Nach ihrer harten Kindheit, die sie zum groรen Teil in einem unwirtlichen Mรคdcheninternat zugebracht hat, ist sie entschlossen, ihre Ausbildung zu nutzen, um auf eigenen Fรผรen zu stehen. Tatsรคchlich wandelt sich ihr Leben langsam, als sie eine Stelle als Gouvernante eines franzรถsischen Mรคdchens auf Thornfield Hall erhรคlt. Die Haushรคlterin dort, Mrs. Fairfax (Judi Dench, deren Rolle angenehm verstรคrkt wurde) begegnet ihr mit ausgesuchter Freundlichkeit und Wรคrme. Die grรถรte รberraschung ist jedoch der Hausherr selbst, Mr. Rochester, der nach dem ersten Winter Janes in dem alten und geheimnisvollen Anwesen auf Thornfield eintrifft. Die schroffe Art des zynischen Mannes verwirrt die junge Frau, der wiederum von Janes offener und ungekรผnstelter Art sehr angezogen ist. Bei nรคherer Betrachtung entdecken beide eine Seelenverwandtschaft, die sie fasziniert vertiefen. Die unerfahrene Jane kann jedoch die Gefรผhle des wesentlich รคlteren Mannes nur schwer einschรคtzen. Kann sie ihrem Herzen trauen? Jane Eyre ahnt nicht, welche Herausforderung das Leben und die Liebe fรผr sie noch bereithรคlt und wie sehr ihre Seele bereits mit dem Herrn von Thornfield verbunden ist... Stรคrker als in anderen Verfilmungen wird das Element religiรถser Empfindungen der handelnden Figuren und besonders von Jane selbst betont. Eine Betonung, welche die Motivation der Betroffenen sehr deutlich herausstellt und trotzdem im Zeitkontext natรผrlich wirkt. So findet Jane flammende Genugtuung darin, ihre unbarmherzige Tante, welche sie zu Unrecht als Lรผgnerin darstellt, darauf hinzuweisen, dass ihre verstorbenen Eltern und ihr geliebter Onkel Reed vom Himmel her die wahren Geschehnisse beobachten kรถnnen. Auch der von Charlotte Bronte angeprangerte religiรถse Fanatismus, welcher dem eifernden St. John (leider nicht mit der Schรถnheit eines griechischen Gottes bedacht, wie in der literarischen Vorlage: Jamie Bell " Nicholas Nickleby ") beinahe unmenschliche Zรผge verleiht, wird im Film plastisch dargestellt. Dagegen bewahrt Janes aufrichtiger Glaube sie davor, gegen ihr empfindsames Moralempfinden zu verstoรen und einen Mann zu heiraten, den sie nicht lieben kann oder eine Verbindung einzugehen, bei der ihre Selbstachtung zerstรถrt wird. Als zeitloses Liebesdrama, wie es auf der DVD-Hรผlle bezeichnet wird, kann man Jane Eyre allein aus diesem Aspekt wohl kaum bezeichnen, im Gegenteil. Vielmehr versetzt der Film den Zuschauer tatsรคchlich in eine andere Zeit. Die sorgfรคltige Auswahl der Kulissen und Kostรผme tragen schon zu diesem bestimmt beabsichtigen Eindruck bei. Die DVD geizt nicht mit Hintergrundmaterial und bietet sogar zwei Extramenรผs. Das ausfรผhrliche Making of ist in deutscher Sprache und ist sehr informativ und kurzweilig. Sehr interessant sind auch die Erklรคrungen zu der Beleuchtung des Films: So manche Szene wurde bewusst dรผster und geheimnisvoll gehalten, um einen gruseligen Effekt zu erzielen. Die Musik, welche die Stimmungen der Handlung sehr gefรผhlvoll anfรคngt, wurde vom Komponisten erdacht, der bereits in der Kinoversion von Jane Austens " Stolz & Vorurteil - Pride & Prejudice " geschmeidige Melodien zum Klingen brachte. Dieser Film ist eine Wucht: รberzeugende, namhafte Schauspieler in traumhaften Kulissen erwecken eine dramatische Romanze zum Leben, die Charlotte Bronte vor so vielen Jahren mit Leidenschaft und Kraft zu Papier brachte. Das muss man einfach gesehen und erlebt haben, auch wenn die Geschwindigkeit der Erzรคhlung รผber einen hinwegbraust wie ein nordenglischer Sturm!
M**ร
Muy buena versiรณn de Jane Eyre. Muy agradable de ver. Muy buenas interpretaciones.
S**K
Jโadore ce film dโune grande beautรฉโฆ. les acteurs, la musique, les dialogues les paysages le plus beau Jane Eyre .. ainsi que le Jane Eyre avec Orson Welles et Joan Fontaineโฆ.
T**K
I loved the book Jane Eyre as a young woman and this version is the absolute best, in my opinion. Mia Wasikowska reminded me of all I loved about Jane and I'm grateful to her for doing so.
็ท**็ซ
ใใใ็พใใๆ ๅใงใใใปใชใใๅฐใชใๆฐใใใพใใ ่ฉฑใ ๅไฝ้ใใซใฏ้ฒใพใชใใฎใง ใ่ฉฑใใพใฃใใ็ฅใใชใๆนใฏ ๆธๆใใใใใใพใใใ ็งใ ใฆใคใชใขใ ใปใใผใใฎใธใงใผใณใจใขใ่ฆใๅพใซใใใ่ฆใใใใใง ็่งฃใงใใพใใใ ใญใใงในใฟใผใใจใฃใฆใๆ ็ฑ็ใง ใพใชใใใๅฐใใจใญใใฃใใฏใงใใ ็งใฏๅฝผใฎๆผใใSHAME ใ่ฆใฆใใพใใใ ็ฎใง ๆๆใใใฆใใๆใใงใใปใปใปใ ้ณๆฅฝใ่กฃ่ฃ ใๆ ๅใ ๅใฃใฆใใพใใ็พใใใใใใงใใ ็นๅ ธๆ ๅใง ๆชๅ ฌ้ใทใผใณใใฟใพใใใ ๆๅ ใใใใตในใใณในใปใใฉใผใฎใใใซใใใใฃใใใใงใใใใใใใตในใใณในใฃใฝใใใใฉใผใฃใฝใใทใผใณใไฝใใใฆใใพใใ ็ตๅฑ ใใใใๅ จ้จใซใใใใใใจใง ็พใใๆๆ็ฉ่ชใซๆ่ฏใใใใใซๆใใพใใ
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