---
product_id: 1926366
title: "PylePro Dynamic Handheld Microphone, Professional Moving Coil Mic with Built-in Pop Filter, Wide Frequency Response, High Signal Output, Rugged Design, Low Noise Circuitry, 15' ft. XLR Cable Included"
brand: "pyle"
price: "₹ 5057"
currency: INR
in_stock: true
reviews_count: 13
category: "Pyle"
url: https://www.desertcart.in/products/1926366-pylepro-dynamic-handheld-microphone-professional-moving-coil-mic-with-built
store_origin: IN
region: India
---

# Dynamic moving coil tech Low noise circuitry Rugged zinc alloy body PylePro Dynamic Handheld Microphone, Professional Moving Coil Mic with Built-in Pop Filter, Wide Frequency Response, High Signal Output, Rugged Design, Low Noise Circuitry, 15' ft. XLR Cable Included

**Brand:** pyle
**Price:** ₹ 5057
**Availability:** ✅ In Stock

## Summary

> 🎙️ Own the Mic, Own the Moment

## Quick Answers

- **What is this?** PylePro Dynamic Handheld Microphone, Professional Moving Coil Mic with Built-in Pop Filter, Wide Frequency Response, High Signal Output, Rugged Design, Low Noise Circuitry, 15' ft. XLR Cable Included by pyle
- **How much does it cost?** ₹ 5057 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.in](https://www.desertcart.in/products/1926366-pylepro-dynamic-handheld-microphone-professional-moving-coil-mic-with-built)

## Best For

- pyle enthusiasts

## Why This Product

- Trusted pyle brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Built to Brave the Stage:** Durable zinc alloy and steel mesh grill withstand intense live and studio use.
- • **Plug & Perform with Confidence:** Includes 15 ft. XLR cable for seamless pro-level connectivity right out of the box.
- • **Crystal-Clear Vocals Every Time:** Unidirectional cardioid pattern slashes background noise for pristine sound.
- • **Wide Frequency Range for Rich Sound:** Captures deep lows to sparkling highs (50Hz-15kHz) for versatile vocal and instrument clarity.
- • **Pop Filter Built-In, No Extra Gear Needed:** Integrated acoustic pop filter ensures smooth, professional audio without plosives.

## Overview

The PylePro Dynamic Handheld Microphone delivers professional-grade sound with a rugged zinc alloy body, unidirectional cardioid pickup for noise reduction, and a wide 50Hz-15kHz frequency response. Equipped with a built-in pop filter and low noise circuitry, it’s designed for flawless live performances and studio recordings. Comes ready with a 15-foot XLR cable for immediate pro connectivity.

## Description

PylePro Model : PDMIC78Professional Dynamic Handheld MicrophoneProfessional Moving Coil Microphone, Dynamic Handheld Mic with 15' ft. XLR CableFeatures:Built-in Acoustic Pop FilterUltra-Wide Frequency ResponseHigh Signal Output for Vocals & SingingRugged Construction & Steel Mesh GrillIntegrated Low Noise CircuitryIncludes: 15' ft. XLR to 1/4'' Audio Connection CablePerfect for Stage Performances or In-Studio UseTechnical Specs:Mic Element/Type: DynamicPickup/Polar Pattern: Uni-DirectionalMic Body Material: Zinc Alloy MetalFrequency Response: 50Hz-15KHz600 Ohm Output Impedance (+/-)30%Microphone Sensitivity: -54dB (+/-)3db(0dB=1V/Pa @ 1KHz)Dimensions: Φ1.24'' x 6.14''This unidirectional, dynamic handheld microphone is perfect for the serious musician recording in the studio or out on stage. It's perfect for voice recording due to the high quality moving coil unidirectional dynamic element. Thanks to the durable zinc alloy metal construction and steel mesh ball shaped grill, you know your equipment is secure. Includes a 15 foot XLR cable.

Review: Great Performance, and not just for the price! - Sound Quality: Very Clear, no noise or distortion Sound Response: Exaggerated mid to high frequencies Build Quality: Good to Very Good Feel: Light compared to SM57 Handling noise: fairly high (much like the SM57), neither should be handheld without care. Missing: Mic mount - this mic should be used mounted Additional accessories needed: Windscreen. Notes: Some might find the exaggerated mid to high frequencies to be sibilant, while others may find it more pleasing, with better intelligibility for spoken words compared to an SM57. You can EQ this mic to make it sound nearly indistinguishable from an SM57, if that's what you desire. This mic's target may be the consumer Karaoke market, judging from the included cable that terminates in 1/4" TS plug. I would rather see this mic with a mic mount and windscreen included rather than the cable. Thick windscreen, or doubling up on a windscreen, can tame some of the bumped up mids and highs, making this mic sound smoother (IMHO). Overall a great value, good quality mic!
Review: You get a lot more than what you pay for with this one! - I bought this microphone simply and almost only because of its great price hoping it would not break on me, distort any sounds or cause impairing feedback while on stage. As a starting musician, my budget was very low and my only posible income came directly from playing a few gigs as a local dive bar, which didn't pay much, so when the time came to buy a microphone for my guitar amplifier my soul was set to buy a Shure SM-57 due to its undeniable reputation. However, I did not have $100 to spend solely on a microphone so as soon as I saw the Pyle-Pro PDMIC78 on my sugestions bar I was shocked to see a $10 option. I did not think twice about it as I pressed "Proceed to Checkout." Here is my opinion so far: FIRST IMPRESSION: The package came pretty quickly (under a week!) and is actually very neat (blue box with pictures and information written all over). First thing that you can see in the box is that the microphone is neatly and safely wrapped next to a cheap mic cable (XLR to 1/4"). To be fair, that cable stopped working after two years of severe abuse, which is not at all bad from a free cable that came with a $10 mic. The microphone itself closely resembles the praised SM-57 and is just as heavy. The PDMIC78 is made of metal (HEAVY metal, lol). Mine has been dropped several times from several heights and has not even dented; definitely great material. SOUND: In terms of how it sounds, it is possibly the closest I have ever heard to the actual SM-57 in this incredible price range! Don't get me wrong here, every microphone is different in some way and the quality of the SM-57 is not comparable to, say, an SM-7B, but as far as a $10 mic can go, the only defining difference between the PDMIC78 and the SM-57 is how much "gain" they capture. I'm not by any means a mic tech and have very basic to intermediate knowledge on how mics work, but when it comes to the mixer, the PDMIC78 requires about 3dB less in the gain control. Since I bought this microphone, its main use has been in front of an amp speaker. I use a considerably small amp (Blackstar HT-40) so my best bet is to mic up the speaker and set the controls however I need them to be. For a full two years the PDMIC78 has been the most reliable microphone in my rig, and I carry an SM-57 now to use the double-mic method. CURRENT USE: As mentioned above, I use the double-mic method on a 1x12" speaker cabinet. I am a total sound snob and when I play, I NEED my sound to be as perfect as I can possible get it. Because of that I have chosen to use two microphones and a direct line. So my rig goes like this: I plug in Blackstar's Emulated Out directly to the main console and use that as a basis for how I want to shape my tone, then I put the SM-57 directly towards the cone's sweetspot (every speaker has a different one; mine happens to be a little bit off the center) at about two to three inches from the grill cloth. After I play a bit with the mix between the direct and the Shure, I place the PDMIC78 aimed towards the sweetspot at an angle of around a radian or so from the cloth and move it a little bit further away from the SM-57 so as to get a few more tones coming from directly around that sweetspot. When I mix in the three, the direct line is about 4-5dB lower than the mics and has about -3dB on the high frequencies. I boost the low end of the SM-57 a tad bit (depends on the room) and work the mid sections mostly with the Pyle. I'm not using the mics for specific frequencies or so, but I do target what they can do best in they're position and compensate what they do worst. OVERALL: This mic has worked wonders in live and studio applications, and has earned an impressive reputation wherever it goes. Sound engineers and musicians alike have gotten speechless simply because of this microphone's versatile performance and incredible adaptability. I know for sure this mic will be on my rig for years to come, even as a professional musician. For the price listed on desertcart.com, this is a steal. However, A review with only good things to say and no drawbacks isn't a good review, it's just advertising. I really wish Pyle-Pro ditched the cheap cable the mic brought and sent a small protective pouch to safely store the mic in. It doesn't have to be leather (or whatever it is) like Shure makes them, but even a small canvas or microfiber pouch can help ease my mind when I put it inside a bag with clips and mics that could scratch it. Just a bit of help when it comes to caring for your product would be more than nice! Thank you for reading this review; Happy Shopping!

## Features

- TECHNICAL SPECS - Dynamic mic type, unidirectional cardioid pattern, zinc alloy body, 50Hz-15KHz frequency, 600 Ohm impedance, -54dB sensitivity, 1.24"" x 6.14"" dimensions, 15 ft. XLR cable
- REDUCE BACKGROUND NOISE - Unidirectional cardioid pattern captures sound from the source, minimizing background noise and feedback, ensuring clear audio for live and studio performances
- EXCEPTIONAL SOUND CLARITY - Dynamic mic provides optimal clarity and punch with high gain before feedback, making it ideal for vocals and amplified instruments in various settings
- DURABLE CONSTRUCTION - Rugged all-metal construction with zinc die-cast case and steel mesh windscreen ensures maximum reliability, withstands the rigors of stage and studio environments
- VERSATILITY IN APPLICATION - Ultra-wide frequency response and built-in pop filter make it perfect for stage performances, studio recordings, and live vocal applications

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B005BSOVRY |
| Antenna Location | Gaming, Karaoke, Singing, Streaming |
| Audible Noise | 70 Decibels |
| Best Sellers Rank | #2,565 in Musical Instruments ( See Top 100 in Musical Instruments ) #28 in Vocal Dynamic Microphones |
| Brand | Pyle |
| Built-In Media | 15ft XLR - 1/4" Audio Cable, Microphone |
| Color | Black |
| Compatible Devices | Amplifier, Audio Interface, Audio Mixer, Karaoke Machine, PA System |
| Connectivity Technology | XLR |
| Connector Type | XLR |
| Customer Reviews | 4.4 out of 5 stars 3,202 Reviews |
| Enclosure Material | Zinc Alloy Metal |
| External Testing Certification | Não aplicável |
| Frequency Range | 0.05 khz - 15 khz |
| Frequency Response | 15 KHz |
| Global Trade Identification Number | 00068889007039, 00611101539995 |
| Hardware Platform | Gaming Console, Karaoke Machine, PC |
| Impedance | 600 Ohms |
| Item Dimensions | 3.5 x 10 x 5 inches |
| Item Weight | 1.3 Pounds |
| Manufacturer | Sound Around |
| Maximum Frequency | 15000 Hz |
| Mfr Part Number | PDMIC78 |
| Microphone Form Factor | Handheld |
| Minimum Frequency | 50 Hz |
| Model Name | PDMIC78 |
| Model Number | PDMIC78 |
| Number of Channels | 1 |
| Polar Pattern | Unidirectional |
| Power Source | Corded Electric |
| Recommended Uses For Product | Gaming, Karaoke, Singing, Streaming |
| Signal-to-Noise Ratio | 70 dB |
| Special Feature | Noise Reduction, Runs on Plug-In Power |
| UPC | 611101539995 688890070398 823019877919 068889007039 702248798861 809198925771 012304051107 |
| Unit Count | 1.0 Count |
| Warranty Description | One year limited |

## Product Details

- **Recommended Uses For Product:** Gaming, Karaoke, Singing, Streaming
- **Brand:** Pyle
- **Model Name:** PDMIC78
- **Connectivity Technology:** XLR
- **Connector Type:** XLR
- **Special Feature:** Noise Reduction, Runs on Plug-In Power
- **Compatible Devices:** Amplifier, Audio Interface, Audio Mixer, Karaoke Machine, PA System
- **Color:** Black
- **Included Components:** 15ft XLR - 1/4" Audio Cable, Microphone
- **Polar Pattern:** Unidirectional

## Images

![PylePro Dynamic Handheld Microphone, Professional Moving Coil Mic with Built-in Pop Filter, Wide Frequency Response, High Signal Output, Rugged Design, Low Noise Circuitry, 15' ft. XLR Cable Included - Image 1](https://m.media-amazon.com/images/I/71VMF67PKTL.jpg)
![PylePro Dynamic Handheld Microphone, Professional Moving Coil Mic with Built-in Pop Filter, Wide Frequency Response, High Signal Output, Rugged Design, Low Noise Circuitry, 15' ft. XLR Cable Included - Image 2](https://m.media-amazon.com/images/I/71f5Kp14wcL.jpg)
![PylePro Dynamic Handheld Microphone, Professional Moving Coil Mic with Built-in Pop Filter, Wide Frequency Response, High Signal Output, Rugged Design, Low Noise Circuitry, 15' ft. XLR Cable Included - Image 3](https://m.media-amazon.com/images/I/A1TDsV43qFL.jpg)
![PylePro Dynamic Handheld Microphone, Professional Moving Coil Mic with Built-in Pop Filter, Wide Frequency Response, High Signal Output, Rugged Design, Low Noise Circuitry, 15' ft. XLR Cable Included - Image 4](https://m.media-amazon.com/images/I/71RMEE2u-HL.jpg)
![PylePro Dynamic Handheld Microphone, Professional Moving Coil Mic with Built-in Pop Filter, Wide Frequency Response, High Signal Output, Rugged Design, Low Noise Circuitry, 15' ft. XLR Cable Included - Image 5](https://m.media-amazon.com/images/I/91R0KiXdurL.jpg)

## Questions & Answers

**Q: Where is it manufactured?**
A: Hi,

I'm Martin and I work for Pyleaudio.

This PDMIC78 is being manufactured in China. Rest assure that all our products are quality tested and 100% working units.

If you have other questions, please let me know. You can reach me at martint@pyleusa.com.

Thank you for choosing Pyle.

**Q: Is this a balanced or unbalanced mic?**
A: i believe these mics come soldered with pins 1&3 together, which makes it unbalance. To make it a balance signal you will have to unsolder pins 1&3 Which can be done fairly easy.

**Q: Is this a good microphone for making youtube videos?**
A: This microphone was, without a doubt, the worst mic I have ever owned. I had to send it back it was so terrible.

**Q: Is a mic stand clip included?**
A: No

## Customer Reviews

### ⭐⭐⭐⭐⭐ Great Performance, and not just for the price!
*by S***M on July 25, 2024*

Sound Quality: Very Clear, no noise or distortion Sound Response: Exaggerated mid to high frequencies Build Quality: Good to Very Good Feel: Light compared to SM57 Handling noise: fairly high (much like the SM57), neither should be handheld without care. Missing: Mic mount - this mic should be used mounted Additional accessories needed: Windscreen. Notes: Some might find the exaggerated mid to high frequencies to be sibilant, while others may find it more pleasing, with better intelligibility for spoken words compared to an SM57. You can EQ this mic to make it sound nearly indistinguishable from an SM57, if that's what you desire. This mic's target may be the consumer Karaoke market, judging from the included cable that terminates in 1/4" TS plug. I would rather see this mic with a mic mount and windscreen included rather than the cable. Thick windscreen, or doubling up on a windscreen, can tame some of the bumped up mids and highs, making this mic sound smoother (IMHO). Overall a great value, good quality mic!

### ⭐⭐⭐⭐⭐ You get a lot more than what you pay for with this one!
*by G***Z on November 8, 2016*

I bought this microphone simply and almost only because of its great price hoping it would not break on me, distort any sounds or cause impairing feedback while on stage. As a starting musician, my budget was very low and my only posible income came directly from playing a few gigs as a local dive bar, which didn't pay much, so when the time came to buy a microphone for my guitar amplifier my soul was set to buy a Shure SM-57 due to its undeniable reputation. However, I did not have $100 to spend solely on a microphone so as soon as I saw the Pyle-Pro PDMIC78 on my sugestions bar I was shocked to see a $10 option. I did not think twice about it as I pressed "Proceed to Checkout." Here is my opinion so far: FIRST IMPRESSION: The package came pretty quickly (under a week!) and is actually very neat (blue box with pictures and information written all over). First thing that you can see in the box is that the microphone is neatly and safely wrapped next to a cheap mic cable (XLR to 1/4"). To be fair, that cable stopped working after two years of severe abuse, which is not at all bad from a free cable that came with a $10 mic. The microphone itself closely resembles the praised SM-57 and is just as heavy. The PDMIC78 is made of metal (HEAVY metal, lol). Mine has been dropped several times from several heights and has not even dented; definitely great material. SOUND: In terms of how it sounds, it is possibly the closest I have ever heard to the actual SM-57 in this incredible price range! Don't get me wrong here, every microphone is different in some way and the quality of the SM-57 is not comparable to, say, an SM-7B, but as far as a $10 mic can go, the only defining difference between the PDMIC78 and the SM-57 is how much "gain" they capture. I'm not by any means a mic tech and have very basic to intermediate knowledge on how mics work, but when it comes to the mixer, the PDMIC78 requires about 3dB less in the gain control. Since I bought this microphone, its main use has been in front of an amp speaker. I use a considerably small amp (Blackstar HT-40) so my best bet is to mic up the speaker and set the controls however I need them to be. For a full two years the PDMIC78 has been the most reliable microphone in my rig, and I carry an SM-57 now to use the double-mic method. CURRENT USE: As mentioned above, I use the double-mic method on a 1x12" speaker cabinet. I am a total sound snob and when I play, I NEED my sound to be as perfect as I can possible get it. Because of that I have chosen to use two microphones and a direct line. So my rig goes like this: I plug in Blackstar's Emulated Out directly to the main console and use that as a basis for how I want to shape my tone, then I put the SM-57 directly towards the cone's sweetspot (every speaker has a different one; mine happens to be a little bit off the center) at about two to three inches from the grill cloth. After I play a bit with the mix between the direct and the Shure, I place the PDMIC78 aimed towards the sweetspot at an angle of around a radian or so from the cloth and move it a little bit further away from the SM-57 so as to get a few more tones coming from directly around that sweetspot. When I mix in the three, the direct line is about 4-5dB lower than the mics and has about -3dB on the high frequencies. I boost the low end of the SM-57 a tad bit (depends on the room) and work the mid sections mostly with the Pyle. I'm not using the mics for specific frequencies or so, but I do target what they can do best in they're position and compensate what they do worst. OVERALL: This mic has worked wonders in live and studio applications, and has earned an impressive reputation wherever it goes. Sound engineers and musicians alike have gotten speechless simply because of this microphone's versatile performance and incredible adaptability. I know for sure this mic will be on my rig for years to come, even as a professional musician. For the price listed on Amazon.com, this is a steal. However, A review with only good things to say and no drawbacks isn't a good review, it's just advertising. I really wish Pyle-Pro ditched the cheap cable the mic brought and sent a small protective pouch to safely store the mic in. It doesn't have to be leather (or whatever it is) like Shure makes them, but even a small canvas or microfiber pouch can help ease my mind when I put it inside a bag with clips and mics that could scratch it. Just a bit of help when it comes to caring for your product would be more than nice! Thank you for reading this review; Happy Shopping!

### ⭐⭐⭐⭐ TL;DR: Good sound, wires need resoldering, XLR cable not balanced
*by D***L on February 6, 2026*

TL;DR: Good sound, wires need resoldering, XLR cable not balanced Crisp highs, a bit lacking in the lows, but sounds amazing. If you use it with the SM58, it will give you perfect sound. The cord is basically useless, but is super long (and unbalanced, which is bad, but get a DI box and you'll be all set). It weighs less than the actual sm57, but is negligible. It also looks super sleek, which is good (basically exactly the same as the sm57). It's compatible with any XLR device. The mic IS balanced on arrival. CONS: You NEED to resolder internal wiring, preferably with new wires. The old ones will break off, rendering your mic useless. Don't make the same mistake I did with using 16AWG wire instead of 22+AWG, as it would short the wires out.

## Frequently Bought Together

- PylePro Dynamic Handheld Microphone, Professional Moving Coil Mic with Built-in Pop Filter, Wide Frequency Response, High Signal Output, Rugged Design, Low Noise Circuitry, 15' ft. XLR Cable Included
- Ramzi Mic Stand,Double Support Tripod Microphone Stand Floor Boom Mic Stand with Mic Stand Bag and 2 Mic Clips Adjustable boom

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*Product available on Desertcart India*
*Store origin: IN*
*Last updated: 2026-05-26*