--- product_id: 225995082 title: "Boom" brand: "michael shnayerson" price: "₹ 3919" currency: INR in_stock: true reviews_count: 9 url: https://www.desertcart.in/products/225995082-boom store_origin: IN region: India --- # Boom **Brand:** michael shnayerson **Price:** ₹ 3919 **Availability:** ✅ In Stock ## Quick Answers - **What is this?** Boom by michael shnayerson - **How much does it cost?** ₹ 3919 with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.in](https://www.desertcart.in/products/225995082-boom) ## Best For - michael shnayerson enthusiasts ## Why This Product - Trusted michael shnayerson brand quality - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Description Boom ## Images ![Boom - Image 1](https://m.media-amazon.com/images/I/518KDrkgaOL.jpg) ![Boom - Image 2](https://m.media-amazon.com/images/I/610LVMnHzKL.jpg) ## Customer Reviews ### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars I'm quietly hoping that Shnayerson's next book will be "BUST" *by J***D on Reviewed in the United States on June 6, 2019* In 1980, after dealer Arne Glimcher arranged the sale of Jasper Johns’ Three Flags—which had originally sold for $900—for the sum of one million dollars, Johns wrote Glimcher a note. “One million dollars is a staggering figure,” he commented, “but let’s not forget that it has nothing to do with art.” Now, almost forty years later, after a questionable “Leonardo” has sold for $450 million dollars, Johns’ noble sentiment seems obsolete.Michael Shnayerson weaves together many great quotes and anecdotes in "BOOM" as he chronicles the spectacular growth of the international art market. Shnayerson is a well-connected and observant journalist and BOOM covers a great deal of territory while also introducing many vivid personalities. The book gains momentum slowly—first profiling the dealers and artists who made the postwar market—and then takes off in its final chapters as it describes the dizzying ascent of prices and general market madness of recent years. "BOOM" was not a “I can’t put it down” book, but I did find it readable and engaging all the way through.Shnayerson begins with the history of pioneering dealers like Betty Parsons—who had “mixed feelings” about Jackson Pollock but still gave him a stipend of $150 per month—to the current crop of “mega-dealers” like David Zwirner whose $50 million dollar, five story Chelsea flagship gallery is due to open in the fall of 2020. Larry Gagosian, the alpha dog of the mega-dealers, is a major character and his particular genius and mercurial temperament are vividly described. BOOM includes accounts of key developments, rising prices and a sprinkling of telling statistics to provide context.Shnayerson’s research is broad, his style is readable and the information he charts is accurate (with a few minor exceptions). For example: you won’t be surprised to learn that the world’s 2,208 billionaires (as of 2018) and their “demi-billionaire counterparts” are now among the largest buyers of high-end art. You will likely smile as you read about a dealer who dressed in a bunny suit for six weeks as a stunt and gasp when you read about artist Sterling Ruby and his 120,000 square foot Los Angeles studio. Did you know that there is a major art dealer who has intertwined a working farm and an art gallery? After reading "BOOM" you will know that and more.I recommend "BOOM" to art market junkies who understand that the book will tell them much more about money and marketing than about the passions that drive true artists and their supporters. "BOOM" is an informative and fair-minded book that ultimately made me somewhat depressed. It's effect was to remind me how the art I most often hear about is a high-end brand that mainly serves as a financial instrument for the wealthiest citizens of an increasingly unequal world.The world of wealth, vanity and manipulation that "BOOM" describes left me quietly hoping that Shnayerson’s next book about the art market will be titled "BUST". ### ⭐⭐⭐⭐ 4.0 out of 5 stars Gagosian overkill *by D*** on Reviewed in the United States on March 25, 2021* Great book and very informative. Only issues I have with it:1: It reads almost like a biography and advertisement for Larry Gagosian.2: Not enough on Mary Boone and not enough on Anne Freedman.3: Needed a LOT more about art advisors who actually do move a great deal of art. ### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars Money BOOM, art POOF. *by P***W on Reviewed in the United States on June 17, 2019* Truly a valiant effort, a remarkable road map of how an odd aspect of the so-called art world has gained fettishistic significance among a percentage of the world's most blessed, I mean ... financially. The names of distinguished dealers, many a gallery employee (some with the archaic designation, gallery girl), many individual artists (self-identified these days) who produce the product (at times "churned out'", p.276, p.285), some critics, museum significats, directors, etc. appear in a well organized index at the back. (I did not find the name of the overwhelmingly beautiful young woman enhancing the scene at Gagosian's terrible Currin show). Of course all cannot be included. But abstractionists Jack Youngerman and Adolph Gottlieb as well as aesthetically strong Pop guy Wesselman are not accorded their fair share of credit. Some are obviously left out due to their very minor contributions, sweeping, dusting, etc., others due to not fitting the held parameters of "contemporary" art. Early on, page 2, Shnayerson defines two terms: contemporary and modern art. A further clarification is needed. Dear perouser, say out loud the following two words, "contemporary" and "Contemporary". Note that when spoken they appear identical. But when written they are extremely different. The first is a common adjective, the second the name, the designation of a particular style in visual art, "Contemporary Art". On page nine the names of several recognized styles are noted, all capitalized. Unfortunately one significant style, Primary Structures, a direct precursor of Minimalism, is omitted. Some will recall the large Primary Structures exhibition in the Spring of 1966 at New York's Jewish Museum, an era when said museum staged a number of important exhibitions including one of Ad Reinhardt's "Black Paintings", late 1966-67. Consistency requires that whenever "Contemporary Art" is written to denote the style it must be capitalized. Is this important? Yes, critically so. Used improperly, as currently is all too common, the term excludes all contemporary art that is not Contemporary Art. In reality all art is contemporary, either to its time, to other work of its time, or to the present. Contemporary Art is nearly an all encompassing style, with just one limitation. It is not free to reference traditional art without making a mockery of it. The fact that art is secondary to money in this book is mentioned in several places. Since art is not wholly excluded its various permutations need to be seen more openly, on a so called level playing field. For reasons not given much of contemporary art seems to have been systematically excluded. Here are names of contemporary artists who would be included: Abstractionist Raymond Saunders; Realists: Andrew Wyeth, Lennart Anderson, Catherine Murphy, Balcomb Greene, Ann Lofquist, Avigdor Arikha, Neil Welliver (original work only, not reproductions), the still-life Jeffrey Ripple, Richard Maury, Alan Gussow, Ben Aronson, the early studio still-life paintings of Jacob Collins, Ben Kamihira, Sidney Goodman, the incomparable Spaniard Antonio Lopez-Garcia as well as the otherwise incomparable Vija Celmins; and the Neo-realists: Michael Ciervo, Red Grooms, Larry Rivers, Georgia O'Keefe, Alice Neel. Last (but not least) "anonymous", the wonderful Color-field artist who was teaching at Skidmore college near Albany in the early seventies. These names are significant not as historical figures which with "the test of time" they may become, not as celebrities, but simply due to the very high aesthetic level of their work. Of course, not necessarily in every example. The Old Masters had their occasional bad days too. --- ## Why Shop on Desertcart? - 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016 - 🌍 **Shop Globally** — Access 737+ million products across 21 categories - 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price - 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members) - 🔒 **Secure Payments** — Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.in/products/225995082-boom](https://www.desertcart.in/products/225995082-boom) --- *Product available on Desertcart India* *Store origin: IN* *Last updated: 2026-05-20*