DT 990 PRO

expensive but worth it, best for music composers and also for gamers. but sure you need must a DAC/AMP for this . Otherwise sound too much low cause low power, you must need a amp for this

DT 990 PRO. This product is highly recommended for critical listening for mixing engineers. Open Back and has a very flat response. Very good wearing comfort for extended hours. Large ear cup. No tightness to head. Cushion Material is excellent. Only minus point cable is not detachable, but it's manageable.

ممتازة جدا و الصوت دقيق و مناسبة للعموم بسبب انها Open back أهم شيء مكبر (DAC)

Perfect

its a good headset, but i ordered the Limited Black Edition, and they gave me the normal one ..... using it with sound blaster AE-5 in music the bass is so great ( punchy ) the range how ever is excellent specially in games like war zone the sound stage is very crisp and far .

السماعه هذي رهيبه بكل معنى الكلمه جودة صناعه 100% جودة صوت 100% الراحة 100% التغليف و محتويات العلبه و الشنطه الي معاها و طول الكابل و جودة صناعة الكبل كله كله 100% انصح ب استخدام مضخم صوت معاها بما انها 250 اوم انا استخدمها مع creative sound blasterx g6 في كل شي رهيبه الالعاب موسيقى افلام صناعة محتوا السماعه هذي مقارنه مع باقي السماعات الي استخدمتها من عدة شركات فا هي تفوز حرفيا بس الشي السلبي الوحيد فيها انه الكابل غير قابل للفصل مع انه ذو جودة عالية و مش من السهل انك تخربه اساسا

I play video games and voice act, tried multiple products and thought they were really good.. until i tried this and found what real audio is! Works works with rodecaster Duo

Bad quality

Suono storico che con questa edizione limitata diventa anche più versatile. Le 990 le utilizzo in momenti di urgenza, in viaggio, quando non sono in studio e ho bisogno di consegnare un primo mix, e voglio che almeno suoni piacevole. Non sono delle spade per quanto riguarda gli ambienti e gli attacchi dei suoni, ma con questa nuova impedenza, ad alcuni volumi diventano uno standard sul quale fare affidamento. Le utilizzo sempre e dico sempre, come prima fase di mix e come termine di paragone nelle ultime fasi del mastering. Non sostituiscono l'imprevedibilità sonora dei monitor, sono cuffie e dicono tutto in modo netto, direttamente sulle nostre orecchie. Come qualsiasi tool per chi fa musica, bisogna abituarsi ai loro difetti e imparare a tradurre il loro suono, come si farebbe con qualsiasi altro mezzo di ascolto. Intonatissime e con un ampio palcoscenico sonoro, io le porto sempre con me.

Le uso ormai da più di un anno in modo praticamente ininterrotto e non ho mai avuto un solo ripensamento. Comodità top, le indossi per ore senza affaticarti, e il sound è davvero impressionante: dettagli nitidi, scena ampia, bassi presenti ma mai esagerati. Si sente che sono fatte in Germania, materiali solidi e zero scricchiolii. Per mixaggio o anche solo per ascoltare musica come si deve, per me restano una scelta sicura.

Okay so I started researching headphones a while ago and being new to the whole "how much for those cans??!!" market, I was sceptical of how much of a difference they would make and nervous about which ones to get. Short review line is, these are excellent. Job done, you can go now. Not satisfied? Well I've tested them out against my 5.1 Logitech z906 speakers which are running on an optical connection (worth noting that the DT990s are running from a Creative Labs G5 dac). In games the bass on the headphones is incredible. Cannon fire in World of Warships woke me up and not because it was loud but just because I'd never heard such a boom before. I've also been testing this on music (not an audiophile so bear with me here) and having just ran Masterchef Synesthesiaby by Swede Mason through both, one after the other, the sound was distinctive. I get why people say these cans aren't for bass heads after this test, not that it's from a lack of bass on the cans but because it's airy. The speakers delivered a wall of sound which I felt as much as heard and the result was the bass was powerful but messy. I couldn't tell one bass line from another. With the DT990s I can tell which bass line is doing what without any effort whatsoever but it doesn't assault my head with a rumble designed to make soup of my brain (that's both an advantage and a disadvantage in my book). I can say however that the bass isn't lacking. Spread Your Love doesn't have quite the dirty bass I'm used to. Keine Lust comes through nice and punchy (as I've just found out, ensure you have that dac set to direct audio or you're wasting the potential of these cans) but unlike most headphones, iems and speakers I've tried this track on, I can separate the guitars perfectly, even in the busy chorus. Now, for build quality, these feel excellent. I've broken many headsets in my time and the only ones to last have been a pair of Sennheiser PC323Ds which these DT990s are replacing. I've got confidence that these cans will last a good long while. They're solid and feel like they're going to be heavy but really aren't when they're on your head. As for fit, I have an inordinately large cranium (stop giggling!) and they fit fine. Firm clamping force fresh out of the box. Nothing uncomfortable. Does feel a little warm around my head but I'm more of a cold weather guy and it's been up to 26c in front of my pc the last couple of nights so I'm putting it down to that. Accessories wise, you get the necessary and no more. The jack adaptor seems robust and well made (the threads on the screw joint into the 3.5mm work fine, which is usually the test of a decent engineer), the bag is nothing special and there's nothing else in the box. If you like rock music from System of a Down to AC/DC and Queen Adreena, I'd say you can buy with confidence. As a parting note, I'm listening to Midlife Crysis by Faith no More as I write this and not only am I finding new pieces of the music that I can enjoy, the bass is there like I've never heard before. It's no longer a background of continual growl without much rhythm but specific notes! I am very impressed with these cans (as you can probably tell). Now all I'm left wondering at is what you'd get for the £2k cans and above? If this is the lower end of the range then call me a philistine and leave me happy here.

Just received these this afternoon. I already own Amirons, DT 880s and DT 770s and Grado SR80s. I’m not a fan of Sennheiser, so anyone who is familiar with both Beyerdynamic and Sennheiser headphones will appreciate that this is a subjective review by someone who likes Beyerdynamic’s house sound. This review is my assessment of them purely for home use. There are obviously loads of reviews of the 990s on the internet, and although very popular they obviously divide opinion. I shan’t make out that these are for everybody, but I’ll add my three pennies worth here which might cut through the superlative laden ayes and the damning nays and help some people to make up their minds on whether or not to buy a pair (I dithered for far too long). When I was in my early twenties I might have found the Beyerdynamic sound too bright and analytical, but back then I could hear frequencies up to 20khz; not so now, at 63 my hearing tops out just under 14khz, so maybe this accounts for my later-in-life infatuation with the Beyerdynamic sound. Though I like most forms of music, the bulk of my collection veers towards acoustic music - classical, jazz etc - there’s also a fair bit of dub reggae, rock, EDM and so on (so, it’s basically Prince Far-I to Schubert, Aphex Twin to CSNY, Thelonious Monk to Joni Mitchell, Public Enermy to Spirit, Poppy Ackroyd to Bob Dylan - catholic, essentially). I’ve only had a few hours to make comparisons (Bill Withers, Thelonious Monk, Radio 3, Bill Charlap, Heart of the Congos, Lana Del Rey), but I think this has given me adequate opportunity to make a pretty accurate judgement of the characteristics and comparative merits of the 990s. I’ve been listening to them mainly through a Little Dot Mk 2 with a combination of Novosibirsk and Mullard 8100 valves (sourcing from a Cyrus Cd and Cyrus 8 DAC amplifier). I’m delighted with the 990s. They are neither shriekingly sibilant nor either lacking or over-endowed with bass. Compared to the other headphones that I own I would say that the 990s are nearest in sound to the 880s. Indeed, I think that they are very near sound-wise. The 880s are marginally more polished, but the difference (to my ears at least) is subtle rather than dramatic. I would suggest that the 990s are very good, cheaper alternatives to the 880s. The 880s clamp the head noticeably more lightly than the 990s, but the 990s are more secure on the head. Sound leakage is similar in both, so neither are good for listening to next to your sleeping partner (who hates going off to music and especially hates jazz) in bed unless you want a poke in the ribs. For this I have the 770s, which have a somewhat “fuller” or “fatter” sound than the other two. Leakage on the 770s is minimal at low to modest volumes. The Amirons (Homes) are, to my mind, decidedly more “musical” or “liquid” sounding headphones, very enjoyable for extended listening and very revealing, in comparison with those I would describe the 990s and 880s as rather “analytical” sounding and the 770s are somewhat “dryer” (I hope describing their sound as both “dryer” and “fatter” doesn’t sound like a contradiction in terms but I can’t immediately think of a better words to describe the sound). However, they’re all good and all have what you might call a “house sound” (i.e. a Beyerdynamic sound), although the Amirons depart furthest from this sound (which isn’t really very far at all) while the others might all be considered even more typical. The Amirons have a fuller, certainly pleasant and, I would say, slightly coloured bass by comparison, the bass on the 880s and 990s is leaner and, as far as I am qualified to judge, seemingly more accurate. Some people say that they both lack bass, but I don’t think this it true, it is most certainly there when it’s there! It may be that those who think they lack bass are listening to these headphones without suitable amplification. As goes the 770s, I’d say that their bass - in terms of weight - lies in the middle here, it is perfectly good but it is neither as accurate as on the 880s and 990s nor as pleasurable as on the Amirons. Sound stage is best, and very similar, on the 990s, 880s and Amirons. I wouldn’t say that there is any vastly significant difference here between these three headphones. The 770s, being closed-back, are noticeably more “closed-in” in terms of soundstage but, in terms of closed-back headphones per se they’re actually really rather good in this area; I’ve certainly not encountered a closed-back pair that are better (or indeed any other closed-back pair that I can actually bear - I personally much prefer open-back designs, for me the 770s are exceptions in this department). The 1770s may well be better, but I’m not about to fork out several hundred pounds more for those when I use closed-back headphones mostly for listening in bed via the headphone output of a Roberts radio. As regards comparison with the Grado SR 80s, the 990s and 880s are decidedly superior sounding, with the Grados sounding rather rough and uncouth by comparison (though this isn’t helped by the Grados comfort levels which are simply not in the same league - half an hour with Grado SR80 ear pads is sheer torture; consequently I’ve replaced them with Sennheiser HD414 ear pads which improbably (as, apart from being yellow, they don’t seem materially that different from the Grado pads) improve matters a fair bit and don’t noticeably change the SR80s sound). The Grados do sound more bassy, but this is definitely a matter of quantity rather than quality. Build quality on the Grado SR80s is also markedly inferior to that of the Beyerdynamics. I would retire the Grados at this point, but their 32 Ohm impedance makes them useful. They’re good fun, but they’re not good for extended listening sessions. The 990s and 880s with their 250 Ohm impedance definitely need amplification. I use a couple of Little Dot Mk 2s. The Amirons have the same impedance but are significantly more sensitive. For unamplified use I find the 770s a better match with their 80 Ohm impedance (they certainly work well with most Roberts radios of recent years, Roberts seem to have pretty good headphone circuits on their radios). Summing up, I think that the 990s are fantastic value for money (the Amiron Homes, which I love, are perhaps a clear case of diminishing returns by comparison). If you’re thinking of buying a pair of Beyerdynamics, want open-backed headphones, fancy the 880s from all you’ve read, but feel that the 880s are a stretch for you financially, then I think you’d be missing very little with the 990s in terms of sound). Originally, I had thought of purchasing Beyerdynamic’s new DT900 X headphones, but - reading the reviews, and knowing how much I already liked the sound of the 880s and 770s - I thought I’d save myself some money and get something that might not sound so hugely different for half the price and, beyond that, I actually prefer the look of the 990s. I don’t rule out considering the new series in future, but for now I don’t feel I’m missing out on anything that would be game-changing, although I admit I’m curious. As I have found repeatedly, however wild the superlatives I encounter in the reviews the actual differences between the last and the latest model of a particular piece of hifi is more often than not a matter of nuance. Whatever way you cut it, comparing the 990s with the highly regarded and (to me) very similar sounding 880s and the more refined, more relaxed, but four or five times more expensive Amiron Homes, they are still very good sounding headphones and first class value for money - assuming, like me, you like the Beyerdynamic sound. If you’re a Sennheiser fan you’d probably be barking up the wrong tree (but you know that already) and, if you’re a Beats fan, then presumably you’re already stone deaf. And then again, as goes highly regarded budget headphones, I reckon they knock the Grado SR80s into a cocked hat. But not everyone would agree with me. Anyway, I hope all that helps. Update, 28/1/22. I’ve now spent some more time listening to the 990s on a Little Dot Mk 2 with a combination of Novosibirsk and Radio Technique valves (sourcing from a Naim CD5 via a Rega Elex R). The Radio Technique valves are very similar to the Mullard 8100s I used at the top of this piece. Continued close listening has only confirmed my sense of how good these headphones are. On further consideration, with this set up, I’d say their sound signature lies between that of the 880s and the Amirons. I’d say they sound slightly “weightier” than the 880s and that the Amirons are a bit more so, but the differences here are more subtle than seismic. On careful comparison, after a few hours of listening, my overwhelming sense at this point is that, if you like open-backed headphones, like the Beyerdynamic sound and have a hankering for a pair of Amirons but either can’t afford them or can’t justify the expense, then you really wouldn’t be missing very much at all by just settling for a pair of 990s. By comparison they are a real bargain and, I think, in absolute terms they are quite simply one of the best bargains there is on the headphone market. One further point, on comfort, although the 990s have more clamping force on the head, I actually find them more comfortable than the Amirons as they fit my head better. Finally, as anyone who has read this far has already probably figured out, it has cost me quite a lot to reach my conclusions here. I think I have a reasonable sense of humour, but if you’re an audiophile sceptic then I guess I can understand why you may feel you’re getting the last laugh! I’m glad I own the Amirons, they are very nice headphones, but if I could only have one pair I must admit that I’d very happily settle for the 990s. Postscript, 31/1/22. On further reflection, it’s very good having several headphones all sharing a general character that I like, but each a little different from the others. Different music works best on certain headphones (for instance, listening to Beatrice Rana’s performance of the Goldberg Variations this morning I much prefer the rendition of her piano’s sound through the Amirons to that of the 770s (the piano sounding decidedly more lifelike through the Amirons), whereas with Thelonious Monk’s It’s Monk’s Time the difference is less obvious and, if anything, I’d say I actually prefer the 770s with their greater attack. But, different music is not all: different recordings, different source equipment, different mood of the listener ... however, it’s very quick and easy to change between modestly priced headphones during a listening session in order to optimise your listening experience (something you can’t readily do with expensive speakers, amplifiers, cartridges and so on).

Ce casque ouvert est d'excellente qualité et très confortable. Le son est spatial, on entend bien tous les détails d'une musique (et même parfois ses imperfections, ce qui me convient parfaitement pour mon utilisation). Un casque d'une telle impédance nécessite forcément un amplificateur, sinon vous ne pourrez pas profiter au maximum de ses capacités, et surtout, le son risque d'être trop faible. Ce n'est donc pas un casque qui conviendra à une écoute sur smartphone par exemple. Les aigus bénéficient d'une surbrillance que je considère comme étant très poussée. Cela ne peut pas forcément convenir à tout le monde, et vous remarquerez que les avis à ce sujet varient d'une personne à une autre (Mais aussi de l'âge de l'utilisateur, puisque nous perdons naturellement notre sensibilité d'écoute des fréquences hautes avec le temps). Pour ma part, utilisant ce casque sur un ordinateur, je suis obligé de me servir d'un égaliseur pour réduire les aigus, sinon je ne serai pas en mesure de supporter ce casque trop longtemps. Le processus d'égalisation, réalisé à l'aide d'un logiciel en temps-réel, le rend parfait selon moi. Il faut aussi un petit temps de rodage pour s'y habituer. Le fait qu'il soit ouvert signifie aussi que votre entourage pourra entendre ce que vous écoutez, pas forcément de manière excessive, mais c'est suffisant pour empêcher une personne de dormir si elle se trouve dans la même pièce que vous. C'est le principe d'un casque ouvert. Mais en contrepartie, cela vous permet d'entendre les bruits autour de vous (si quelqu'un vous appelle à une certaine distance, etc), et c'est exactement ce que je recherchais, ne pouvant pas supporter les casques fermés qui donnent l'impression d'être enfermé dans une "bulle".