--- product_id: 27364776 title: "Getz/Gilberto 76" price: "₹ 13144" currency: INR in_stock: true reviews_count: 13 url: https://www.desertcart.in/products/27364776-getz-gilberto-76 store_origin: IN region: India --- # Getz/Gilberto 76 **Price:** ₹ 13144 **Availability:** ✅ In Stock ## Quick Answers - **What is this?** Getz/Gilberto 76 - **How much does it cost?** ₹ 13144 with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.in](https://www.desertcart.in/products/27364776-getz-gilberto-76) ## Best For - Customers looking for quality international products ## Why This Product - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Description 2016 live archive release. Just over 50 years after the release of João Gilberto's and Stan Getz's classic Grammy-winning album Getz/Gilberto (1964), and its sequel Getz/Gilberto #2 (1966), Resonance Records proudly announces Getz/Gilberto '76. This release is an instant classic collection of never-before-released recordings captured May 11-16, 1976 at the legendary San Francisco jazz club Keystone Korner, showcasing the legendary Brazilian singer, guitarist and composer João Gilberto, accompanied by the saxophone icon Stan Getz and his rhythm section of pianist Joanne Brackeen, bassist Clint Houston and drummer Billy Hart. These recordings were made during João Gilberto's and Stan Getz's weeklong engagement at the Keystone, which took place nearly 12 years after the release of their initial award-winning album. The first Getz/Gilberto album sold over one million copies and almost single-handedly launched the bossa nova craze in America and around the world. It's been said that the hit single off that album, "The Girl From Ipanema," is the second most recorded song of all time, behind only "Yesterday" by the Beatles. The 1976 Keystone engagement represents one of the very few times this famed duo reunited after their initial creative collaboration in 1962, and according to the club's founder and owner Todd Barkan, this engagement was João Gilberto's first public performance after a four year hiatus. Review: Gilberto controlling a procession of the nights - Olga Albizu’s cover painting, similar to a series of Jazz Samba albums on Verve, gives an impression of George Klabin and Zeb Feldman’s enthusiasm to this project. According to Todd Barkan, Getz contacted Barkan with the idea of booking his quartet and Joao Gilberto at Keystone Korner for a week, to promote the release of Columbia’s “The Best Of Two Worlds.” (DownBeat, Mar.,’16) People even came from Brazil to hear them, as Barkan advertised the gig two or three months in advance. “Getz/Gilberto ’76” captures excitement of those days, from the second sets of those nights. Getz is said to be irascible and sometimes even violent, while Gilberto being very shy. Barkan says getting them on the road together was next to impossible. The Japanese quarterly jazz magazine “Jazz Critics” reports there is a subtle discordance between Getz and Gilberto on the rising success of “Getz/Gilberto.” Only Antonio Carlos Jobim’s politics keeps a delicate balance between them. (Jazz Critics No.119, ’04) This album doesn’t show a bit of their disharmony. Billy Hart attests that Gilberto was living at Getz’s house at that time. Jazz Samba would be one project among many to Getz, even though the resulting success brought him back to pop stardom. In contrast with Verve albums, where Getz plays at the fore on every songs, a leading character on “Getz/Gilberto ’76” is Gilberto. Barkan credits Hart is the unsung hero of this gig. He testifies Gilberto really likes him. Hart had studied Brazilian music and made Gilberto feel at ease, Barkan says. From the very beginning Gilberto captures us. Gilberto depicts deeply poetic world with featherlight samba rhythms. Getz devotes himself to being a subordinate role to Gilberto here. Mostly he steps aside, while Gilberto controlling a procession of the nights. Getz pays respects to Gilberto in his introducing comments. When he complements Gilberto, he blows identically and melodiously. Gilberto even chuckles to himself toward a call thrown in from the audience. Hart and Clint Houston’s backing is rather indistinct, nevertheless supporting Gilberto sufficiently, who sings way in front of the beat at times and away behind the beat at times. Joanne Brackeen joins them with a scarcely audible volume, which doesn’t interrupt Gilberto’s delicate world. Her backing is inventive and precise. Up to now, “Getz With Laurindo Almeida” was the best album among a Jazz Samba series to me. “Getz/Gilberto ’76” surpasses this much further. Review: Great reunion performance and important Getz Quartet exposure! - As an avid collector of Stan Getz recordings I treasure this reunion with Joao Gilbero. It is well packaged, and the music is superb. This quartet with Joanne Bracheen on piano was not much recorded, so this material is important. Getz was transitioning from the Bossa Nova period to his excellent 80' work. ## Technical Specifications | Specification | Value | |---------------|-------| | ASIN | B0193H4XU8 | | Best Sellers Rank | #214,661 in CDs & Vinyl ( See Top 100 in CDs & Vinyl ) #24,440 in Jazz (CDs & Vinyl) #89,979 in Pop (CDs & Vinyl) | | Customer Reviews | 4.6 4.6 out of 5 stars (53) | | Date First Available | December 8, 2015 | | Is Discontinued By Manufacturer | No | | Item model number | 17714406 | | Label | Resonance Records | | Manufacturer | Resonance Records | | Number of discs | 1 | | Original Release Date | 2016 | | Product Dimensions | 5.67 x 5.08 x 0.35 inches; 2.68 ounces | ## Images ![Getz/Gilberto 76 - Image 1](https://m.media-amazon.com/images/I/71hqzC3QMZL.jpg) ![Getz/Gilberto 76 - Image 2](https://m.media-amazon.com/images/I/61JJUQ-18sL.jpg) ## Customer Reviews ### ⭐⭐⭐⭐⭐ Gilberto controlling a procession of the nights *by M***I on April 25, 2016* Olga Albizu’s cover painting, similar to a series of Jazz Samba albums on Verve, gives an impression of George Klabin and Zeb Feldman’s enthusiasm to this project. According to Todd Barkan, Getz contacted Barkan with the idea of booking his quartet and Joao Gilberto at Keystone Korner for a week, to promote the release of Columbia’s “The Best Of Two Worlds.” (DownBeat, Mar.,’16) People even came from Brazil to hear them, as Barkan advertised the gig two or three months in advance. “Getz/Gilberto ’76” captures excitement of those days, from the second sets of those nights. Getz is said to be irascible and sometimes even violent, while Gilberto being very shy. Barkan says getting them on the road together was next to impossible. The Japanese quarterly jazz magazine “Jazz Critics” reports there is a subtle discordance between Getz and Gilberto on the rising success of “Getz/Gilberto.” Only Antonio Carlos Jobim’s politics keeps a delicate balance between them. (Jazz Critics No.119, ’04) This album doesn’t show a bit of their disharmony. Billy Hart attests that Gilberto was living at Getz’s house at that time. Jazz Samba would be one project among many to Getz, even though the resulting success brought him back to pop stardom. In contrast with Verve albums, where Getz plays at the fore on every songs, a leading character on “Getz/Gilberto ’76” is Gilberto. Barkan credits Hart is the unsung hero of this gig. He testifies Gilberto really likes him. Hart had studied Brazilian music and made Gilberto feel at ease, Barkan says. From the very beginning Gilberto captures us. Gilberto depicts deeply poetic world with featherlight samba rhythms. Getz devotes himself to being a subordinate role to Gilberto here. Mostly he steps aside, while Gilberto controlling a procession of the nights. Getz pays respects to Gilberto in his introducing comments. When he complements Gilberto, he blows identically and melodiously. Gilberto even chuckles to himself toward a call thrown in from the audience. Hart and Clint Houston’s backing is rather indistinct, nevertheless supporting Gilberto sufficiently, who sings way in front of the beat at times and away behind the beat at times. Joanne Brackeen joins them with a scarcely audible volume, which doesn’t interrupt Gilberto’s delicate world. Her backing is inventive and precise. Up to now, “Getz With Laurindo Almeida” was the best album among a Jazz Samba series to me. “Getz/Gilberto ’76” surpasses this much further. ### ⭐⭐⭐⭐⭐ Great reunion performance and important Getz Quartet exposure! *by F***R on March 18, 2016* As an avid collector of Stan Getz recordings I treasure this reunion with Joao Gilbero. It is well packaged, and the music is superb. This quartet with Joanne Bracheen on piano was not much recorded, so this material is important. Getz was transitioning from the Bossa Nova period to his excellent 80' work. ### ⭐⭐⭐⭐ All About João Gilberto *by D***L on May 18, 2016* ****1/2. Much has been discussed about the volume balance of the band versus João Gilberto, that Gilberto was over-miked, but frankly I find no problem. The CD is not about the band. Package notes of Stan Getz's Moments in Time, derived from the same sessions in 1976 at the Keystone Korner in San Francisco and issued by the same team, state that the band purposefully reduced their performance volume as well as improvisational development. Gilberto is a soft, sensual singer and he plays a soft nylon-string guitar; they honored the vocalist by holding back and they let his artistry shine. My high level stereo system and also by my studio headphones via computer DVD/CD drive allowed full appreciation of Billy Hart's drums. Joanne Brackeen was the pianist of the recordings and she played only a few gentle supporting notes. It was Getz who was over-miked; his interludes were fortunately infrequent and brief. Bassist Clint Houston provided just simple, basic background. Gilberto was heart-tugging Gilberto. Ah! Bossa Nova of Jobim, songs of Dori Caymmi, a tune by Gilberto Gill and by Ary Barroso, and a couple by Gilberto himself are featured. The track João Marcelo [Gilberto' son] is pure instrumental. Thus, the album chiefly is of guitar, voice, and drum, Rio de Janeiro, Brazil, and love. In the encore, the band opens up and we hear all the musicians fine. Key is the live, intimate atmosphere. Even if the tape recordings and clear digital remastering may seem merely of archival quality, the album is certainly worthwhile. --- ## Why Shop on Desertcart? - 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016 - 🌍 **Shop Globally** — Access 737+ million products across 21 categories - 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price - 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members) - 🔒 **Secure Payments** — Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.in/products/27364776-getz-gilberto-76](https://www.desertcart.in/products/27364776-getz-gilberto-76) --- *Product available on Desertcart India* *Store origin: IN* *Last updated: 2026-05-16*