I Can't Think Straight

I enjoyed this film. I was tired of the old lesbian movies where you lost the girl and committed suicide. I always wonder why was it that all the straight movies were so much better than ours. I realized that it was b/c the guy always gets the girl. The little handful of movies that I've seen, seems to finally get it "girl gets girl". The story line was very interesting but no strange to real life situation. It's beautiful to see through the eyes of love all of those places or things you already experienced before on your own (the girls at Oxford). I must say that all the girls in this movie were gorgeous; two thumbs up! I'm not going to go into details of the movie as other critics have done a good job at it. I'm going to add one thing, they did a good job but I would have like to see a bit more passion in their acting when they were kissing or intimate. I've learned that a lot of these actresses are all straight and thus their kisses are more of mental condition (I have to, it's in my contract) than something that they would feel naturally if they had a guy in front of them. Perhaps we should use lesbians actresses to reach that extra level of real art in films. Would you use apples to make orange juices? That of course is my humble opinion. Overall it's a great movie and I do recommend it.

First, let me say that I first became familiar with Shamim Sarif's work, while visiting the Philadelphia Gay Film Festival over the last few years. This will be long, as I ABSOLUTELY LOVE both films, and can't recommend them enough for some humor, realistic drama and a journey beyond any existing borders of the mind. As a connoisseur of hi-definition films, and a wide variety of domestic and world cinema, these are 2 that absolutely NEED to be on Blu-Ray! The colors and visual depictions in both films pop right off the screen and are begging for this treatment! My partner of 10 years and I have become life-long fans of Shamim's work, as this writer/director has captured our hearts and souls with relevant and poignant storylines that could serve as crossover projects for the mainstream media. I believe the latter is crucial in engaging America and the world in a dialogue of equality which transcends sexuality or gender. ***SPOILER ALERT*** THE WORLD UNSEEN: ===================== For me, this film is a stunning, visual masterpiece, based on the book of the same name. The sweeping visual landscape, and texture and layers of the setting, costumes, characters and lifestyle are simply magnificent and breathtaking. The film also masterfully captures the inhumanity, humiliation, cruelty and robbing of dignity caused by the laws of the period. It is a period piece, set in 1950's South Africa and tells the heartfelt and heart-breaking story of two women who find each other under during a chance encounter which awakens an emotional connection that ultimately unites them in heart, mind and soul. This occurs during a time period, where mixed race relationships are considered criminal, and the country has taken for granted that this should be acceptable. That is, except for those that characters that fight to revolt against this, and believe in equality. This includes Amina, the rebellious, courageous character (Sheetal Sheth) who ultimately reminds Miriam (Lisa Ray)-an oppressed and abused housewife, who has lost herself and her interests, in her "role"- that she the latter has the strength to stand on her own and be who she wants to be-personally and professionally. Both Sheetal Sheth and Lisa Ray do an incredible job of conveying their individual plights on screen-sometimes with little spoken word and an artistic journey that entrenches you into their quiet pain, caused by the situation. Their scenes are some of the most skillful, yearning and heart-wrenching I have ever seen. The story is told with such subtle and emotional complexity that I've rarely seen on film. Many feelings are conveyed with glances, the score itself, and unsaid words, which make this film incredibly powerful. Although the film leaves much implied, I was completely captivated by the power of the performances of the leads, as well as the supporting cast. I learned a great deal about the time period, as well as how much courage each character had to find within him/herself to ultimately emerge independent and dignified. Amina is playful, bold, flirty and powerful and Miriam is reserved, curious and taken with Amina and all that she represents. There is passionate chemistry between the two female leads, who ultimately risk everything to grasp that which is most important-love for each other and for life and happiness. The film has an open end, but keen viewers can deduce the outcome and will remember this powerful story forever. This is the winner of numerous awards, including the official selection at the Toronto Film Festival & London Film Festival. Do not miss this film! ***SPOILER ALERT*** I CAN'T THINK STRAIGHT- ===================== This has taken its spot among my favorite romantic comedies of all time. The soundtrack was up-tempo, fun and playful. The colors, costumes and set design where expertly integrated, and both this, and THE WORLD UNSEEN should be re-released on Blu-Ray (yes, I said that already!). The look of both films is amazing and begs for hi-definition treatment. This time Shamim Sarif uses humor effectively to shed light on the cultural taboo of being in a same sex relationship. She re-casts Lisa Ray as the confident, bold and seductive Tala, working on her own business, opposite Sheetal Sheth as Leila, the shy, beautiful and insightful writer, and object of Tala's affections. Together they explore this very forbidden, but inevitable love, and find their way to each other, with each other's help. But on the way, they are aided by friends in very humorous situations, and hindered by family members, still loyal to reserved tradition. The soundtrack is virtually its own character, as it includes catchy and sexy songs ranging from ethnic to ballad, which compliment Tala and Leila's journey perfectly. The cultural taboo of being in this relationship is a relatable conundrum that many same sex couples have faced, and despite this film's focus on Jordanian and Indian cultures, the overarching theme of being threatened, disowned and shunned by family is universal and sadly, very relevant. All of the characters are funny and charming, and the dialogue is hilarious and smart, but never preachy. I found it particularly interesting how the fathers in both THE WORLD UNSEEN and I CAN'T THINK STRAIGHT were overall very supportive-another rare depiction, given the theme and cultures depicted. Again, Shamim Sarif achieves the kind of crossover appeal, whether intentional or not, that allows the universal themes of unstoppable love to trump the sometimes "hot button" issues of gender, political and sexual orientation components. Both leads and the entire supporting cast envelop us with hope, laughter and inspiration. This is another wonderful achievement in bringing another one of her books to life on the screen. We love this movie, and have viewed it several times-each time picking up another funny line of dialogue and rooting for the characters all over again. We actually already owned it on DVD as it was released in the UK first. Yet, given the fantastic performances of these two actresses in THE WORLD UNSEEN, we saw I CAN'T THINK STRAIGHT at the '09 Philly Gay Film Festival again, and several times since then. These two films are truly must sees and the behind the scenes extras on both dvd's are great additions. Regardless of your sexual orientation, or interest in the genres, I highly recommend these 2 pieces as examples of genius book to film transitions and films that stand on their own (I've not read the books yet), that deliver a poignant message of hope, equality, inspiration and entertainment. A special thank you to the director & writer for using her incredible talent to portray courageous, memorable and complex characters and real stories with universal themes![...]

The movie was very good and the two Actors both very beautiful.Just looking at two very beautiful women struggle as they attempt to live a life unseen is compelling. Lisa Ray and Sheetal Sheth two very accomplished Actors take on the role of two women from similar cultures with very different approaches to their embrace of a relationship frowned upon and discouraged in both of their cultures. Ray from Palestine could possibly be put to death for even entertaining the thought of a life lived with a woman; and openly would not happen. The character Tala portrayed by Ray has had a previous relationship but explained away her desire. Leyla portrayed by Sheth finds herself and refuses to deny what she truly feels. It is love with beautiful music, beautiful women and wonderful story telling. A movie that could have gone on forever and with any luck a sequel. It is sad to see it end, but that it ended with a good result makes it a movie to visit many times.

What I love about this movie is, it's about two women trying to be in a healthy relationship, not the usual, secretive, suicidal, crazy dramatic, unhealthy relationships of gay film past. This movie has set a new standard for lesbian films, I hope. I really hate that term "lesbian film." To me, this is a chick flick. It's like "Imagine Me and You" only there's two WONDERFUL love scenes. Both actresses were phenomenal, and I really love that they seemed completely comfortable with each other. There's nothing more frustrating than watching two actresses who are completely uncomfortable kissing another woman. Not these two. Their chemistry was amazing. My biggest complaint is that it's kind of short, but I also know it's because it's an Indie film. Lower budget and all that. But for what the director had to work with, she definitely made a quality film. I recommend this movie to anyone and everyone who enjoys chick flicks, gay or straight or whatever in between.

Quite different to what I have viewed before. I do like a positive ending. The stigma of lesbianism tends to feature initially...regardless 'love happens to be love',gender is not an issue. Highly recommended.

Empfehlung- romantische Komödie, es geht um gleichgeschlechtliche Liebe, das „zulassen können“ gegenüber dem „öffentlich zeigen wollen“ in schwierigen kulturellen Kreisen, die hier jedoch als sehr offen dargestellt werden (etwas konfliktscheu). Viel heile Welt, um die Liebe im Allgemeinen und die „einzig richtige“ Liebe, der Film ist trotzdem oder deshalb wünschens- und sehenswert. An vielen Stellen kann man schmunzeln oder lachen. Spoiler- und Detailreicher - so sehe und verstehe ich den Film Tala (Lisa Ray)- eigentlich sehr selbstbewusst, aus reichem Hause und chronisch bemüht den richtigen fürs Leben zu finden um ihn dann vor dem Altar zu versetzen, ist eine der Hauptdarstellerinnen. Was bewegt sie wohl zu diesem Verhalten? Leyla (Sheetal Sheth) nicht sehr selbstbewusst zu Beginn des Filmes, will zwar einen Freund für Unternehmungen, aber irgendwie auch nicht mehr. Sie will sich nicht fest binden. Versteht jedoch auch nicht wirklich warum. Zur Handlung: Beide lernen sich über den Freund von Leyla kennen. Zunächst ist Tala im Gespräch mit Leyla etwas provokativ, jedoch kann man auch hier an Kleinigkeiten schon ablesen, dass die beide nur wenig Distanz trennt und sie in Ihrer Diskussion auf einer Wellenlänge liegen. Im Tennisspiel gönnen sich die beiden kein Erbarmen und am Verhalten beider in der Umkleidekabine kann man (wenn man will) die zerbröckelnde Distanz, die Fremde normalerweise wahren, erkennen. Flüchtige Berührungen, etwas zu lange Blicke. Im Folgenden beginnt Leyla ihre Familie zu belügen bzw. im Unklaren zu lassen, mit wem sie sich trifft. Ein Zeichen dafür, dass sie beginnt Gefühle zu entwickeln, die sie nicht erklären kann. Sie genießt die Ehrlichkeit, die sie Tala entgegen bringen kann und redet mit ihr über die Dinge, die sie bisher geheim hielt. Sie beschließt mit Tala ein Geheimnis zu teilen (das Schreiben). Im Gegenzug verrät Tala das Problem des Heirates, dass es zwischen ihr und den Männern einfach „nicht klick macht“- sie es jedoch immer erhoffte und daher die Hochzeiten wirklich anstrebte. Beide im Einverständnis zugebend, dass sie wohl zu viel erwarten von der Liebe, verabreden sich zu einem zweitägigen Einkaufsbummel (bei dem Talas Schwester mit von der Partie ist) in Oxford (zum Ärgernis beider Familien). Noch bevor sie starten fragt Leylas Schwester nach einem übertriebenen Streit mit der Mutter nach dem Grund für ihre Gereiztheit und liest an Leylas Verhalten, Büchern und Cds mehr heraus, als Leyla sich bislang selbst eingesteht. In Oxford schwindet die Distanz zwischen beiden immer mehr. Talas Schwester beobachtet dies mit Argwohn. Tala und Leyla, darauf bedacht allein Zeit zu verbringen, nutzen die Zeit intensiv zum Reden und Sightseeing, Einkaufen sieht man sie nicht. Beim abendlichen Tanz im Hotelzimmer kommen sich die schüchterne Leyla und die heißblütige Tala immer näher. Die Nähe zueinander sichtlich genießend lassen die Beiden den Gefühlen zueinander freien Lauf. Für Leyla, die bisher noch keine solchen Erfahrungen gesammelt hatte geht ein Licht auf. Für sie ist ab diesem Moment klar, was sie will. Sie will Tala, oder zumindest Frauen an ihrer Seite. Tala hingegen, die bereits einmal in eine Frau verliebt war und aus kulturellen und gesellschaftlichen Gründen „so“ nicht akzeptieren kann zu leben, stützt sich lieber unglücklich wieder in Hetero-Norm-Leben. Leyla wird so das Herz gebrochen, sie findet jedoch mit neuem Verständnis und Selbstbewusstsein zu sich selbst und beginnt, trotz Gegenwehr der Mutter („…so you will burn in hell“) offen lesbisch zu leben. „Es gibt Dinge die ich an ihr liebe“, sagt Leyla zu Tala als diese nach ihrer „neuen“ Freundin bei einem arrangierten Treffen fragt. Das sind die gleichen Worte, mit denen Tala damals die Beziehung zu ihrem Fast-Ehemann beschrieb. Mit diesen Worten beende ich meine Beschreibung, noch lange nicht am Ende des Filmes angekommen, um nicht jedes Detail aufzulösen. Gibt es noch ein Happy End? Es gibt in diesem Film, wenn man will, sicher noch mehr zu verstehen. Im Fokus dreht es sich jedoch alles „um Liebe im Allgemeinen“ im Vergleich zur „echten und einzigen Liebe“, die man vermutlich nur einmal im Leben findet. Es geht um „Begehren“, „Selbstverwirklichung“, „Stärke“, „Glücklich sein“ aber auch um „sich selbst belügen“ und „Bequemlichkeit“. Viel ist zwischen den Zeilen geschrieben und nicht für Jede(n) verständlich. Dieser Film liegt auf meiner Wellenlänge (ebenso wie bspw. aus dieser Sparte „Woman love Woman“, „Imagine you an me“, „The world unseen“, „Jenny‘s wedding“, „die Töchter des chinesischen Gärtners“ ect.). Der Film hat Liebe, Witz und Charme (besonders die Haushälterin der „Tala-Familie“). Im Gesamtpaket mit den gut aussehenden Schauspielerinnen, deren Spiel und Chemie ich nachempfinden kann, für mich 5 Punkte wert.

Watched it 10 times in 2 weeks!!! This is an amazing movie!!! Great (and hot) actors, with a lot of funny moments, and a couple of sexy ones too. This is a very light hearted film, the love story behind it is two straight girls discovering their sexuality/coming out, but not in the usual tragic way that we are used to see in films. The topic of politics and religion is also touched and it's good to see it. The story is lovely because we also see the girls dealing with their family and friends. If you want to watch the World Unseen as well (same director, same actors) I would suggest to watch that one first cos it will build you up for I cant Think straight. In any case BUY THIS MOVIE!!! It's def one of the best lez movie I watched :)

Un coffret regroupant deux magnifiques films lesbiens qu’il faut découvrir sans tarder. « I can’t think Straight » et « The World Unseen » sont romantiques à souhait, bourré d’humour et leurs thèmes musicaux sont excellents. On vibre aux côtés de nos deux personnages ! Les deux actrices interprètent leurs rôles avec brio et c’est un vrai plaisir de voir enfin des films qui offrent des fins positives. Celle de « The World Unseen » m’a laissée quelque peu frustrée, mais reste tout de même ouverte. Bref, deux films à voir et revoir absolument ! 😍😍😍 Sur le même thème, je vous conseille « Carol ». 😉

Tuve problemas y no la recibí. La vi en en el cine y me encantó. No sólo dos mujeres que se aman en el siglo XXI sino en UK una Palestina cristiana y una británica de origen pakistaní musulmana. No es sólo la hermosa historia sino lo que se puede aprender y entender cosas de otros que hay gente que los ve de otro planeta. 100 X 100 recomendable.