Interstellar

This is an amazing movie, and visually one of the very few TRUE 4K movies (film, effect, post-production all 4K or nearly 4K) out there. First, if you are not ready to sit down and put your mind into the movie, don't bother watching it. It's complex, and deep. It's about family, selflessness, sacrifice, and the amazing vastness of time and space. I would consider myself a technical person, and a reasonably intelligent person, but only after my third viewing (today, finally got the UHD Blu Ray and watched the third time) do I fully understand everything that was happening. About 3/4 of the way through the movie goes into some pretty crazy territory, but it actually all makes sense once you fully understand what is happening. Things like black holes and worm holes and the effects of gravity and velocity on time and how that would effect the travelers vs. those they left behind are intense subjects. Leaving a dying earth and a seemingly doomed family including young kids behind to have some shot at saving their future is an intense concept to me as a father. There is no way to quickly tell a story this deep or technical, and I can see how it just might be too much for many. As far s the picture and sound, wow. First one negative, the voice tracks lack gain and is too quiet. On a TV it might not matter, but on a home theater, you will need to crank up the center channel a bit. And the bass / low frequencies are truly something to behold, the cleanest and most powerful I've ever heard on a movie soundtrack...I brought the sub-woofer down about 1.5 db. Once properly balanced, the sound track on this movie will absolutely amaze those with a good home theater system....it will rock you, and to me it surpassed movie theater sound by a good margin. Picture is simply stunning. Shot partly on 35 mm and partly on imax 70 mm, and then combined with 4k and 5.6k visual effects and a 4k digital intermediate, this is as good as it gets today. Unlike most "4K" movies that are really fake 4K, this is the real deal...no shortcuts. On my 70" 4k Samsung TV, it looked truly amazing. For those of you complaining about the streaming version not impressing you, please understand something. If you want to see REAL 4k quality, get a 4k blu ray player. 4k streams are so compressed and lossy compared to a UHD Blu Ray it's like night and day. Streaming may be the future, but it is not the present, at least not in 4k (and I'm an avid cord-cutter to boot). Neither providers or end users have the bandwidth to process a true UHD Blu Ray quality stream at this time, period, end of story. "4k" streams are a JOKE compared to UHD Blu Ray, and a bad joke at that. LG now has $100 UHD Blu Ray players, and it's worth every penny, so consider one if video quality is super important to you your family as it is mine. For someone who has nearly 3 hours to devote to a pretty intense movie with some of the most amazing video and sound you have every encountered, it's well worth the time. For those wanting something light-hearted and quick-paced, look elsewhere.

Interesting movie

Best sci-fi movie.

Interstellar is and always was one of my personal favorite films of all time. I first experienced the film in IMAX when it was released in 2014, and I've been a devoted admirer ever since. But this week, I was fortunate enough to be in New York precisely when the film was being re-screened in IMAX - and not just any IMAX, but in the grandeur of IMAX 70mm - as part of the 10th-anniversary celebrations of its release. Despite having seen the film several times before, rewatching it multiple times to mark its decade-long impact, in the magnificent IMAX theaters of the U. S., stands as one of the most extraordinary cinematic experiences we've had in our lives. No matter how many times I watch the film, it always excites me, intrigues me, and also brings me to tears. A unique cinematic experience like no other, that pushes the boundaries of cinema and how science can be depicted in film. The collaborative process between Christopher Nolan and his brother Jonathan (known for Memento, The Prestige, The Dark Knight, and Westworld, among other works) in crafting the screenplay united two brilliant but slightly different minds. This dynamic provided the creative friction that birthed such an extraordinary story. In the early stages, Jonathan was the principal screenwriter, entrusted with the task of shaping the script. He worked on the project for several years alongside producer Lynda Obst and theoretical physicist Kip Thorne. The original draft was heavily centered on the intricate scientific principles underpinning the plot, such as Einstein's theory of relativity and, in particular, the concept of time dilation. When Christopher came on board as director, he reworked the script to emphasize the emotional and philosophical dimensions of the story. This shift - from a strict focus on science to one that balanced scientific rigor with emotional storytelling - became one of the defining aspects that granted the film its unparalleled strength. It is, ultimately, this synthesis of emotional depth with scientific exploration that elevates Interstellar to a truly extraordinary work within the sci-fi genre. The scriptwriting process between the brothers included a continuous exchange of ideas at every stage of its development. Christopher's inclination toward emotional storytelling intertwined with Jonathan's passion for scientific precision and narrative complexity. As the film's director, Christopher also had the responsibility of translating Jonathan's abstract scientific concepts into compelling, visually stunning cinematic moments and images. This process enabled audiences to grasp abstract and extremely complicated scientific ideas through groundbreaking visual storytelling. It's incredible to witness how, with the passage of time, Interstellar is increasingly recognized not only as a monumental chapter in Nolan's legendary filmography but also as a bona fide classic in the sci-fi genre. With the Nolans now receiving the broader recognition they deserve from the global film and television community (not just their core fanbase), more and more people now grasp the thematic essence the Nolans were striving for with the unique storytelling elements they insisted on including in Interstellar. One of the most unique characteristics of Nolan as a filmmaker is his profound love and respect for science, as well as his understanding of its importance in both storytelling and real-world impact. This is reflected in the themes he chooses to explore, the logical framework behind his scripts, and the technical aspects of his filmmaking process. From project to project, he constantly experiments with new techniques that push the boundaries of film industry technology. He strives to maintain scientific accuracy in his narratives as much as possible while telling captivating stories that highlight the vital role of scientists and the value of intellect in the modern era. Contrary to the common criticism that Nolan's films often sideline female characters, Interstellar features a significant and very welcome representation of strong, influential women in the field of science. Jessica Chastain and Anne Hathaway deliver compelling and charismatic performances, taking center stage in the film's unfolding events and playing a crucial role in the story's progression. Mackenzie Foy also impresses in a once-in-a-lifetime performance of a curious, intelligent, and ambitious child that doesn't shy from the performances of other veteran actors and actresses in the film, with a role that will surely inspire future generations of young viewers. If we delve further into the unique collaborations behind the making of Interstellar, and to the film's unique property of depicting science in the most accurate way possible, the extraordinary partnership between Christopher Nolan and theoretical physicist Kip Thorne stands out as one of the film's most intriguing aspects. This collaboration was paradigm-shifting in its own right, as it sought to depict Einstein's theory of relativity as accurately as possible on screen. Instead of resorting to clichés or convenient narrative shortcuts, Thorne, a Nobel Prize-winning theoretical physicist, acted as both scientific consultant and producer of the film. His primary role was to ensure that depictions of black holes, wormholes, and the effects of relativity on time dilation were as scientifically accurate as possible. Maintaining scientific precision required a delicate balance between creative cinematic storytelling and the constraints of established physics. While Nolan, known for his narrative complexity and visual ambition, occasionally sought to introduce elements that bent the rules of physics, Thorne firmly insisted on absolute scientific accuracy. This principle of realism shaped not only the depiction of time dilation but also the emotional and philosophical core of the film, where time itself becomes a central, emotionally charged narrative device. Their collaboration continues to set a gold standard for how science can be faithfully integrated into cinematic storytelling. After watching the film in an IMAX theater in the U. S. this week, I noticed a group of young students from a school or some sort of academic club attending the screening. They even took a group photo afterward to commemorate the experience. If that doesn't highlight Nolan's influence in inspiring future generations of innovators and scientists, we don't know what does. Of course, no discussion of Interstellar would be complete without mentioning Hans Zimmer's phenomenal score, which the legendary composer himself has referred to as his most cherished soundtrack in his extensive career. The process of collaboration between Zimmer and Nolan was unconventional and experimental compared to their previous collaborations. Instead of supplying Zimmer with a script or a detailed plot outline, Nolan wrote him a one-page letter describing the film's central emotional core - the relationship between a father and his daughter - and asked him to compose from that emotional premise alone. Without knowing that it was a sci-fi epic, Zimmer crafted an intimate and deeply moving score built around a church organ, capturing the emotional anchor of the story. This approach yielded a score that felt personal and evocative, rather than tethered to the spectacle typically associated with the sci-fi genre. The two also chose to emphasized the use of a church organ to evoke a sense of cosmic awe and spiritual transcendence. Ultimately, the focus on emotional authenticity, rather than bombastic spectacle, produced a soundtrack that has become one of Zimmer's most celebrated works, earning critical acclaim and nominations for the Academy Award and the Grammy. In a typical fashion to Zimmer's groundbreaking works, Interstellar did not initially receive the recognition it deserved from major award bodies like the Oscars or the Golden Globes. But history tends to favor the enduring, and today the Interstellar soundtrack is regarded as one of the most powerful and timeless film scores ever created. The raw emotional resonance it evokes during the film, and even while listening to it completely outside of watching the film, is nothing short of extraordinary. Even generally speaking, looking back at the awards season following the film's release, the Academy's reluctance to recognize Interstellar and Nolan's achievements while creating the film remains truly baffling. Nolan did not receive nominations for Best Director or Best Original Screenplay, decisions that now seem glaringly questionable in hindsight. Particularly when compared to certain contemporaneous winners, like Alfonso Cuarón's Gravity, which Interstellar, in comparison, stands head and shoulders above in ambition, visual storytelling, and philosophical depth in our opinion. With Nolan's triumphant sweep during awards season for Oppenheimer, one can only hope that the Academy will, in the future, be more open to recognizing his contributions to the Sci-Fi genre, which has long been overlooked at such ceremonies. What might have been an open question 10 years ago is now clear: Interstellar has cemented its place in the annals of cinematic history as one of the greatest and most important Science Fiction films of all time. Its scientific precision, gripping narrative, breathtaking visuals, extraordinary performances, masterful soundtrack, and impeccable execution on all fronts have earned it a rightful place as one of the most iconic films to ever grace the silver screen. And above all, it's a whole lot of fun.

I am a fan of all the movies of Cristopher Nolan, and this is in fact my favorite, it is spectacular the sound, the image, and the special effects, which take you directly to an interstellar journey

I previously saw this movie on TV, but heard the sound effects on this Blu-ray were very good. The movie has a good sci-fi plot with good acting and a lot of action scenes that give my home theater hardware SVS and Definitive subs a good workout. Good purchase.

We all know the movie is a masterpiece. There’s a reason so many people list this as their favorite/best movie of all time. You’re here because you want to know if it’s worth it to own it as a piece of physical media - the answer is yes. If you’re here then it’s because you want it, and I think you should follow through and buy it. Get it here, or get it at your local Half Price Books but it’s totally worth picking up. I own quite a few movies on disc and I knew this movie was gorgeous (I saw it in IMAX recently for the 10th anniversary again and still gets me) but DAMN doesn’t look good at home too. I bought the 4K UHD and it is THE most gorgeous movie I own as far as the actual camera quality goes. I nearly gasped when watching the Miller’s planet scene because it looks that good.

Entrega antecipada; embalagem muito cuidadosa; produto intacto; burocracia zero em caso de equívoco do comprador. Recomendo!

Great packaging by both the seller and Amazon. Arrived on expected date. 4k discs plays flawlessly in PS5. Looking for recommendations for a region free bluray player to play the accompanying blurays discs.

This isn't my favourite film but In my opinion it's the best movie ever made. Shot in IMAX this stunning masterpiece will blow your mind.

De mis películas favoritas, excelente historia y efectos, música, todo. Podría achacarle que no trae Dolby Atmos, ni DTS X, pero con el audio DTS Master Audio es espectacular, tal vez, pero tal vez sea un poquito oscura, (uso una LG C5 oled), pero creo que así son las películas de Nolan, todo bien en esta película.

Tout est parfait