---
product_id: 49681140
title: "Batman Begins (Two-Disc Special Edition) [DVD] [2005]"
price: "₹ 1407"
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reviews_count: 13
url: https://www.desertcart.in/products/49681140-batman-begins-two-disc-special-edition-dvd-2005
store_origin: IN
region: India
---

# Batman Begins (Two-Disc Special Edition) [DVD] [2005]

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## Description

Just when you though that the Batman franchise was dead and buried--certainly after the abomination that was 1997’s Batman & Robin --along comes director Christopher Nolan to brilliantly bring it all back to life with the astonishingly strong Batman Begins . Nolan, whose curriculum vitae already features Memento and Insomnia , focuses his attention where films in the franchise haven’t gone before--by examining that character of Batman himself. Thus, the story here is the genesis of the character, from the death of Bruce Wayne’s parents, harrowing training with the mysterious League of Shadows, right through to the Dark Knight’s first appearances on the street of a crime-ridden, moody Gotham City. Nolan plays several trump cards in his take on the Batman legacy, and none pay off quite so handsomely as his casting. Christian Bale is an immense force in the dual role of Bruce Wayne and Batman, bringing a brooding anger and genuine unease to the Batsuit. He’s backed with strong turns from Tom Wilkinson, Michael Caine, Liam Neeson, Gary Oldman, and Cillian Murphy as the unstable Scarecrow. In spite of a last twenty minutes that can’t quite sustain the tone of what’s gone before, Batman Begins is a major achievement, and one of the finest superhero movies to date. Easily the best of the Dark Knight’s big screen adventures, it manages to be a blockbuster film that’s unpredictable, compulsive, superb to look at and well worth many repeated viewings. A staggering achievement, particularly considering the state the Batman franchise had got itself into.-- Simon Brew Batman Begins explores the origins of the Batman legend and the Dark Knight's emergence as a force for good in Gotham. In the wake of his parents' murder, disillusioned industrial heir Bruce Wayne (Christian Bale) travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful. He returns to Gotham and unveils his alter-ego: Batman, a masked crusader who uses his strength, intellect and an array of high tech deceptions to fight the sinister forces that threaten the city.

Review: Superior Reboot - Batman Begins is an outstanding reboot of a very familiar setting, raising the bar for reboots and making Batman relevant and interesting again after a set of weaker film and television depictions. The 2005 film directed by Christopher Nolan has since spun out a couple of sequels but Begins is the start of the story and in its own right is a great blockbuster film. Taking Batman back to his origins, Begins offers Bruce Wayne's journey into Batman and a battle with a couple of really excellent villains. The tale of the lost soul that is Bruce Wayne and his redemption through the Batman alter-ego is really well told, vastly superior to previous Batman depictions. Unsurprisingly, Begins is superior to previous depictions in that it sticks closely to some of the best of Batman lore. As with many comic adaptations, it is the use of high quality source material that makes for such a gripping story. The origins of Batman is in the death of Bruce Wayne's parents. Going back to the source, those parents are killed by a no-mark called Joe Chill. It is the casual and utterly avoidable nature of their deaths that makes it so interesting. Unlike previous screen versions where the meaning is entirely lost by changing the killer, Joe Chill is a perfect character to set Bruce Wayne off on his long journey. Chill is just a meaningless hood yet he guns down the wealthiest and most important citizen in Gotham. That juxtaposition entirely makes sense for the Batman character's motivation, the anguish of knowing his parents died for pretty much nothing. A decade later as a somewhat tortured teen Bruce Wayne clearly has not overcome the grief and nearly makes a massive mistake. His subsequent journey to what appears to be the Himalayas is an outstanding sequence, probably the strongest part of a terrific film. Finding Ra's al Ghul as a mentor, Bruce Wayne's entire life view is questioned. Coming of age and finding out who you are is an all too common motif but Batman Begins gets it so very right. Wayne is trained physically but more importantly he is trained philosophically. Ra's offers an incredibly plausible case for turning to the dark side. This is fascinating as so often the case is made for turning to the light but Ra's offers argument about being prepared to defend values that really resonates. It is Wayne's eventual rejection of the Ra's philosophy that ultimately leads him to be Batman. The physical action during the training sequences is amazing. The place really feels cold. The real-life location of Iceland is a decent stand-in with the sequences on the frozen lake being particularly breath-taking. Probably the most impressive physical action takes place when Bruce faces his final challenge. The combat within a maze of ninjas is beautiful choreography. While the eastern sequences are particularly impressive, the visuals in the return to Gotham are also very nice. Gotham is dark, it is broken, it feels oppressive. In some ways the Gotham of Batman Begins shares the feel of Sin City. While it might not be quite as harsh as Sin City, anything that compares even closely to Sin's brilliance is itself impressive. Perhaps the two highlights of the return to Gotham are Bruce Wayne's development of a double life and the villains he faces. The angst of the Batman character lives alongside the arrogance of another character. Bruce Wayne himself disappears. All that remains is the grim and unrelenting Batman and the vacuous Bruce Wayne. Neither is the real person. Other double life super heroes have only one alter ego, Batman Begins presents two in the same person - fascinating. The pinnacle of the Bruce Wayne alter ego is his incredibly insulting speech at a party in his honour. It is just dripping with egoistic venom. It serves a particular plot purpose but really pushes character boundaries in a way that other films have not dared. As with any great character, it is the relations with others that mark Batman out. Love interest Rachel Dawes played by Katie Holmes is the perfect romantic foil. She is sweet but highly intelligent. She sets a standard for Wayne that he cannot possibly meet. This is just so excellent - the romantic love interest should be easily obtainable. Katie Holmes is not a stunner and she's playing a girl next door. Even so she turns the exceedingly rich, handsome, and altruistic Wayne even when she knows all he does. This denial plays so well into Batman's heart-hardened character. His relationship is far closer with Michael Caine's Albert the butler. Caine works very well in this role. His trademark accent seems to fit which is unusual for a film from this century. Albert is the helping hand Bruce needs but he's also the source of some of the film's underlying meaning. The corporate angle of Bruce Wayne's life is one of the few areas that doesn't quite work. The antipathy with Rutger Hauer's Earle interacts with Morgan Freeman's Lucius Fox doesn't flow well. Earle is one of the few cliches in the film and his line about getting memos is horrendously dated and out of place in such a modern and dark film. Lucius Fox is not much better. Why he is buried down in the basement with all the most interesting gadgets is unclear as after all those are the very pieces of equipment that a corporation would want to avoid falling into the hands of others yet the enemy of the acting CEO seems to be given free run with all the corporation's technology. Still, the weaker spots are more than made up for with the interaction between Batman and the various villains. Scarecrow and Ra's are both outstanding. Scarecrow is wonderfully played by Cillian Murphy. He is incredibly menacing especially without the mask. The way he inflicts fear upon the vulnerable is truly evil and makes for a great opponent. Ra's is much more of a subtle combatant for Batman and it is right that there seems to be some respect between the pair. Liam Neeson's height, age, and gravitas fit so well. All of the greatness of Batman Begins would not be possible without Christian Bale. Bale is himself quite a dark and intense person. In the same way that Robert Downey Jr was ideal for Iron Man, Christian Bale is ideal for Batman. He is less believable as the young adult Bruce Wayne in Gotham but he is pitch perfect on the trail towards the Himalayas and fits both the gritty, noble, and self sacrificing Batman and the spiteful and anti-social persona of Bruce Wayne. The acting is supported by good action sequences. Good use of the utility belt and other traditional Batman effects helps. The batmobile looks great. The chase sequence it is involved in is perfectly fine but not especially interesting given the over-abundance of chase sequences in cinema. Batman's fighting style is interesting. It does not looks like boring wire work but it seems hard hitting and impactful. As a piece of cinema, Batman Begins is coherent, interesting, and entertaining. Some of the characters are superb, especially Batman and the two main villains. The setting works so well and taking Batman back to the darkness the original exists in makes for a far more thought-provoking plotline than anything television or cinema has produced so far. Christopher Nolan's reboot of this franchise is a cut above many other reboots and everyone involved deserves credit. The DVD Extras on the two-disc edition are solid. The talking head work is really good, exploring the most interesting aspects of the film. The technical exposition of the costume and the batmobile are both engaging. The miniatures special effects section is a little un-inspiring but the introduction to the fighting style is fascinating even if some of the elbow crunch strikes seem a bit odd. The Extras are a good complement to an outstanding film.
Review: Outstanding film - Outstanding film that truly captures the essence and spirit of Gotham City superhero. Stellar cast, direction, writing, acting, design. Emotionally engaging and satisfying on many levels. Five stars.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Contributor | Benjamin Melniker, Bob Kane, Charles Roven, Cheryl A. Tkach, Christian Bale, Christopher Nolan, Cillian Murphy, David S. Goyer, Emma Thomas, Gary Oldman, Karen David, Katie Holmes, Ken Watanabe, Liam Neeson, Mark Boone Junior, Michael Caine, Morgan Freeman, Rade Serbedzija, Rutger Hauer, Tom Wilkinson Contributor Benjamin Melniker, Bob Kane, Charles Roven, Cheryl A. Tkach, Christian Bale, Christopher Nolan, Cillian Murphy, David S. Goyer, Emma Thomas, Gary Oldman, Karen David, Katie Holmes, Ken Watanabe, Liam Neeson, Mark Boone Junior, Michael Caine, Morgan Freeman, Rade Serbedzija, Rutger Hauer, Tom Wilkinson See more |
| Customer Reviews | 4.7 out of 5 stars 4,962 Reviews |
| Format | Digital Sound, Dolby, PAL, Widescreen |
| Genre | Fantasy, Action, Crime, Drama, Action |
| Language | English, German |
| Manufacturer | Warner Home Video |
| Number of discs | 2 |
| Runtime | 2 hours and 14 minutes |

## Product Details

- **Format:** Digital Sound, Dolby, PAL, Widescreen
- **Genre:** Fantasy, Action, Crime, Drama, Action
- **Language:** English, German
- **Runtime:** 2 hours and 14 minutes

## Images

![Batman Begins (Two-Disc Special Edition) [DVD] [2005] - Image 1](https://m.media-amazon.com/images/I/61tV2G7hkIL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Superior Reboot
*by M***Y on 2 September 2012*

Batman Begins is an outstanding reboot of a very familiar setting, raising the bar for reboots and making Batman relevant and interesting again after a set of weaker film and television depictions. The 2005 film directed by Christopher Nolan has since spun out a couple of sequels but Begins is the start of the story and in its own right is a great blockbuster film. Taking Batman back to his origins, Begins offers Bruce Wayne's journey into Batman and a battle with a couple of really excellent villains. The tale of the lost soul that is Bruce Wayne and his redemption through the Batman alter-ego is really well told, vastly superior to previous Batman depictions. Unsurprisingly, Begins is superior to previous depictions in that it sticks closely to some of the best of Batman lore. As with many comic adaptations, it is the use of high quality source material that makes for such a gripping story. The origins of Batman is in the death of Bruce Wayne's parents. Going back to the source, those parents are killed by a no-mark called Joe Chill. It is the casual and utterly avoidable nature of their deaths that makes it so interesting. Unlike previous screen versions where the meaning is entirely lost by changing the killer, Joe Chill is a perfect character to set Bruce Wayne off on his long journey. Chill is just a meaningless hood yet he guns down the wealthiest and most important citizen in Gotham. That juxtaposition entirely makes sense for the Batman character's motivation, the anguish of knowing his parents died for pretty much nothing. A decade later as a somewhat tortured teen Bruce Wayne clearly has not overcome the grief and nearly makes a massive mistake. His subsequent journey to what appears to be the Himalayas is an outstanding sequence, probably the strongest part of a terrific film. Finding Ra's al Ghul as a mentor, Bruce Wayne's entire life view is questioned. Coming of age and finding out who you are is an all too common motif but Batman Begins gets it so very right. Wayne is trained physically but more importantly he is trained philosophically. Ra's offers an incredibly plausible case for turning to the dark side. This is fascinating as so often the case is made for turning to the light but Ra's offers argument about being prepared to defend values that really resonates. It is Wayne's eventual rejection of the Ra's philosophy that ultimately leads him to be Batman. The physical action during the training sequences is amazing. The place really feels cold. The real-life location of Iceland is a decent stand-in with the sequences on the frozen lake being particularly breath-taking. Probably the most impressive physical action takes place when Bruce faces his final challenge. The combat within a maze of ninjas is beautiful choreography. While the eastern sequences are particularly impressive, the visuals in the return to Gotham are also very nice. Gotham is dark, it is broken, it feels oppressive. In some ways the Gotham of Batman Begins shares the feel of Sin City. While it might not be quite as harsh as Sin City, anything that compares even closely to Sin's brilliance is itself impressive. Perhaps the two highlights of the return to Gotham are Bruce Wayne's development of a double life and the villains he faces. The angst of the Batman character lives alongside the arrogance of another character. Bruce Wayne himself disappears. All that remains is the grim and unrelenting Batman and the vacuous Bruce Wayne. Neither is the real person. Other double life super heroes have only one alter ego, Batman Begins presents two in the same person - fascinating. The pinnacle of the Bruce Wayne alter ego is his incredibly insulting speech at a party in his honour. It is just dripping with egoistic venom. It serves a particular plot purpose but really pushes character boundaries in a way that other films have not dared. As with any great character, it is the relations with others that mark Batman out. Love interest Rachel Dawes played by Katie Holmes is the perfect romantic foil. She is sweet but highly intelligent. She sets a standard for Wayne that he cannot possibly meet. This is just so excellent - the romantic love interest should be easily obtainable. Katie Holmes is not a stunner and she's playing a girl next door. Even so she turns the exceedingly rich, handsome, and altruistic Wayne even when she knows all he does. This denial plays so well into Batman's heart-hardened character. His relationship is far closer with Michael Caine's Albert the butler. Caine works very well in this role. His trademark accent seems to fit which is unusual for a film from this century. Albert is the helping hand Bruce needs but he's also the source of some of the film's underlying meaning. The corporate angle of Bruce Wayne's life is one of the few areas that doesn't quite work. The antipathy with Rutger Hauer's Earle interacts with Morgan Freeman's Lucius Fox doesn't flow well. Earle is one of the few cliches in the film and his line about getting memos is horrendously dated and out of place in such a modern and dark film. Lucius Fox is not much better. Why he is buried down in the basement with all the most interesting gadgets is unclear as after all those are the very pieces of equipment that a corporation would want to avoid falling into the hands of others yet the enemy of the acting CEO seems to be given free run with all the corporation's technology. Still, the weaker spots are more than made up for with the interaction between Batman and the various villains. Scarecrow and Ra's are both outstanding. Scarecrow is wonderfully played by Cillian Murphy. He is incredibly menacing especially without the mask. The way he inflicts fear upon the vulnerable is truly evil and makes for a great opponent. Ra's is much more of a subtle combatant for Batman and it is right that there seems to be some respect between the pair. Liam Neeson's height, age, and gravitas fit so well. All of the greatness of Batman Begins would not be possible without Christian Bale. Bale is himself quite a dark and intense person. In the same way that Robert Downey Jr was ideal for Iron Man, Christian Bale is ideal for Batman. He is less believable as the young adult Bruce Wayne in Gotham but he is pitch perfect on the trail towards the Himalayas and fits both the gritty, noble, and self sacrificing Batman and the spiteful and anti-social persona of Bruce Wayne. The acting is supported by good action sequences. Good use of the utility belt and other traditional Batman effects helps. The batmobile looks great. The chase sequence it is involved in is perfectly fine but not especially interesting given the over-abundance of chase sequences in cinema. Batman's fighting style is interesting. It does not looks like boring wire work but it seems hard hitting and impactful. As a piece of cinema, Batman Begins is coherent, interesting, and entertaining. Some of the characters are superb, especially Batman and the two main villains. The setting works so well and taking Batman back to the darkness the original exists in makes for a far more thought-provoking plotline than anything television or cinema has produced so far. Christopher Nolan's reboot of this franchise is a cut above many other reboots and everyone involved deserves credit. The DVD Extras on the two-disc edition are solid. The talking head work is really good, exploring the most interesting aspects of the film. The technical exposition of the costume and the batmobile are both engaging. The miniatures special effects section is a little un-inspiring but the introduction to the fighting style is fascinating even if some of the elbow crunch strikes seem a bit odd. The Extras are a good complement to an outstanding film.

### ⭐⭐⭐⭐⭐ Outstanding film
*by C***R on 17 July 2026*

Outstanding film that truly captures the essence and spirit of Gotham City superhero. Stellar cast, direction, writing, acting, design. Emotionally engaging and satisfying on many levels. Five stars.

### ⭐⭐⭐⭐⭐ A great film and background story.
*by D***G on 5 July 2026*

It is all I thought Batman was from early childhood. It's great to actually see it in film.

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*Last updated: 2026-07-26*